Brideshead Revisisted
I think what primarily draws people to Brideshead Revisited novel is its themes of decadence, ignorance, and privilege.
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I think what primarily draws people to Brideshead Revisited novel is its themes of decadence, ignorance, and privilege.
Talk is one of those novels that gives back to the reader according to what the reader puts into it. One can read it on a very surface level, or one can decide to carefully consider the book chapter by chapter and think about what it means in terms of trends of thought and the shifting tides of late 1960s culture.
After reading it, I don’t think I’ll be reading much — or any — more of Simon’s work, but at the same time that didn’t render this novel a complete waste of time.
There are certain novels that I consider best seasonally enjoyed and Last Summer in the City is definitely in that category for me.
While Tully’s and Munger’s lives intersect time and again and one or the other often tries to connect, they never quite manage to.
Janet is constantly berated about her awkwardness, her lack of interest in what are considered ‘female’ pursuits, and her love of the natural world. She seeks to define herself according to the person she wants to be, instead of the version of herself that others are trying to mold her into.
I hadn’t heard about Rosemary Tonks until lately when I skimmed part of an article about her in The New Yorker. It wasn’t so much her style or subject matter that drew me to her work. It was the fact that she seemed so dead set on destroying it.
She not only describes depression in a way that goes beyond the hallmark of profound sadness — she also discusses the feelings of being overwhelmed and the incapability of focussing on even simple tasks. She discusses the desire to see life in small objects like birds and flowers when one feels so utterly lifeless themselves.
Taylor’s stories usually take place around the home and centre on domestic issues, but I think that classifying her work as ‘domestic drama’ confers a feeling of banality that is quite unfair.
Rattlebone follows Irene Wilson, a young Black girl growing up in a Black neighbourhood in Kansas City during the 1950s. It’s not often I come across a narrative that is very distinctly and unmistakably character-driven, but this one definitely is.