Cloudland Revisited
Cloudland Revisited is a hilarious ode to the movies, including all of those bad and cheesy ones that we watch and then wonder why hundreds of people came together to produce such a clunker.
Antiquarian and Classic Book Reviews
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Cloudland Revisited is a hilarious ode to the movies, including all of those bad and cheesy ones that we watch and then wonder why hundreds of people came together to produce such a clunker.
Though the subjects are varied, what remains is Akutagawa’s beautiful starkness and his precise use of prose. There is the feeling that cutting one word would be impossible, but adding one would be a shame.
Johnson does not pull any punches as he examines the lives of societies various down-and-outs.
Unlike most short story collections, In Transit is a work that I would recommend considering as a whole. Though the stories were published separately and years apart, they share a very similar theme. All of them are about being lost in time, lost in space, and lost somewhere far from home.
n many ways, the collection met my expectations. It includes a lot of interesting ephemera from literature, some traditional Christmas classics, as well as excerpts from letters, newspaper items, and a substantial amount of poetry.
What really shines about this collection is the informative introductions to each and every one of the stories.
Wharton explores eerie presences and does so with a flare that lingers in the air over your shoulder as you read. Her prose is elegant and languid, drawing the reader in with lush descriptions and then twisting each tale to a disturbing and artful ending.
The eleven tales contained in this collection of some of Sigizmund Krzhizhanovsky’s stories each contain a pervasive sense of the uncanny and of a narrator that exists out of step with time and space.
Nakayama Masaaki’s PTSD Radio is a horror series that has some very creepy writing combined with some fantastically creepy artwork.
Taylor’s stories usually take place around the home and centre on domestic issues, but I think that classifying her work as ‘domestic drama’ confers a feeling of banality that is quite unfair.