The October Country
There’s no doubt that when I think of spooky stories, I think of Ray Bradbury. His narratives are referenced time and time again and have influenced countless writers in turn.
Antiquarian and Classic Book Reviews
Ghost stories and books prominently featuring spirits of the dead, a favourite category of Hargrave’s.
There’s no doubt that when I think of spooky stories, I think of Ray Bradbury. His narratives are referenced time and time again and have influenced countless writers in turn.
Any anthology usually ends up being a mixed bag in terms of content. There will be things you like and things you don’t. When a famous artist, writer, or illustrator that you admire is asked to select stories for an anthology it can be an extra special experience.
I’ve gleefully noticed that for the last two or three years there’s been an emphasis on the forgotten women writers of weird fiction. It soothes a sore spot in my child-self.
I saw the Oxford World’s Classics French Decadent Tales sitting on my local independent bookstore’s shelf and I got so excited. French Decadence was a movement that did so much to further the form of the short story in general, but it also has all of those dark stories to tell at twilight that I can’t get enough of.
Don’t Read This! features scary stories from authors of diverse backgrounds from Zimbabwe to Japan to Spain. The stories strike many different notes as well from very scary to nearly humorous.
Alvin Schwartz’s Scary Stories to Tell in the Dark trilogy was one of my favourite sets of books when I was growing up. I especially loved books that presented stories and the folklore they were based on.
It’s surprising that her name seems mostly lost to time — like the grand majority female writers of the Victorian era. What makes it more of a tragedy in Oliphant’s case is that her work is quite good — even better than a lot of writers whose names I’ve seen on the more mainstream ghost story anthologies.
The real shining piece of this book is the ghost and the setting. The whole world of the opera house comes alive as the ghost wrecks havoc and extracts vengeance. This is a review of Gaston Leroux’s The Phantom of the Opera (Le Fantôme de l’Opéra).
As much as I rarely buy newly published books, I make exceptions for curations of ghost stories and new printings of old, often forgotten work. This is a special Halloween review of Weird Women and Haunted Houses.
I’ve met people that swear by Camp Crystal Lake and others that don Freddy’s classic bladed gloves or put on the Ghostface mask from the Scream series. But nothing really gives me that feeling of decay, destruction, and ghostliness like stories, films, and books that have Victorian settings. This is a review of Susan Hill’s The Woman in Black.