Journey to Nowhere
The first part of the book examines Jonestown itself as it sat in the political climate of Guyana, including shifts in political power and colonial history as well as the poverty present there.
Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
You are viewing Contemporary reviews.
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The first part of the book examines Jonestown itself as it sat in the political climate of Guyana, including shifts in political power and colonial history as well as the poverty present there.
When you start reading this very thick book it becomes rapidly clear that Rolling Stone threw Thompson at anything and everything in the hopes that his style would turn whatever reportage he gave them into an instant hit.
I was excited to see a performance offered in our local festival this year. The performance did not disappoint, so I decided to review the play here.
Montgomery takes the reader through events and motivations and all of the gruesome details of his crime without any kind of apology or emotion.
If you think of the themes of a novel like a complex spiderweb, most of the time an overzealous use of repetition is akin to the author shoving the reader into the centre of it.
When you hear the name Tove Jansson, you probably automatically think of Moomin, but Jansson was much more than the exploits of everyone in Moomin Valley.
In these tapes, Wojnarowicz discusses a vast variety of topics but mostly settles on art, dreams, and death as he processes his HIV diagnosis and impending end of life.
Leaving Lisbon and revisiting the small town he remembers only vaguely, he is accosted both with the familiarity and strangeness of locations he left so long ago.
Di Benedetto’s style is stark and precise. There are no extraneous words here. No time spared on unnecessary details.
One of the things I need more of in this time of much overtime? I need more films — even if I don’t have the time for them.