Siblings
Elisabeth is supposedly fully invested in the GDR and stubbornly sees it as the way to some kind of utopian realization of equality for all. However, her doubts have started to creep in.
Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
You are viewing Contemporary reviews.
You can view all other eras/movements, or you can search by language/region, genre, editor/translator, book authors, or year of edition.
Elisabeth is supposedly fully invested in the GDR and stubbornly sees it as the way to some kind of utopian realization of equality for all. However, her doubts have started to creep in.
Termush centres around a seaside resort that after an unnamed disaster (but all signs seem to point to a nuclear war followed by a plague or a plague followed by nuclear war), which now houses those individuals that could pay for shelter and medical care.
Dark academia has become a much-talked-about off-shoot of the spookier genres, and I would say that label fits Picnic at Hanging Rock.
Even the whitest of picket fences can hide a twisting darkness. And that very pressure could itself serve as one of the most complex themes of noir — that of dreams deferred and decisions made with extreme regret.
As the 1960s began to fade into the 1970s, noir took a fascinating and complex turn. It wasn’t enough to just be about a crime — now it was about being relevant to the current moment.
Readers begin to ask the question — what happens when your job is crime? What happens when people decide to make money ‘the easy way’?
Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.
For July, I’m going to take a deep dive into American crime noir novels from the 1930s to 1960s, give them a bit of context, and maybe mention a film or two along the way.
While The Only Problem thankfully took a lot less time to read than Anna Hastings, I didn’t like it all that much. On the whole, I found it a novel that was just very un-Muriel-Spark.
It actually is a mean-spirited and sexist statement about women in traditionally male roles, positing that when women are working, they are inherently not fulfilling their assigned role in society and apparently everything crumbles around them.