The Orange Eats Creeps
The Orange Eats Creeps is that magnificent kind of spooky book that takes an archetypal story and monster and turns it on its head to make something new and even scarier
Antiquarian and Classic Book Reviews
Rusalka is a tortoiseshell cat, with beautifully brindled fur and a silly Groucho-Marx moustache. She’s bossy, chatty, and very, very lovey.
She was adopted at ten weeks old in September 2020 and is the youngest cat in our household. People warned us about ‘tortitude’ when we adopted her — and she does have attitude, but not nearly as much as we expected.
Rusalka hates to be picked up. Except when she wants onto your lap, then you have to pick her up. Any other time, and she will stick her legs and claws out and flail like you’re murdering her. She goes where she wants to go, and she might be a little bit spoiled.
But you are guaranteed to be Rusalka’s friend. This cat has always been friends with everyone. She is friends with the vet. After her shots, she will rub against the vet’s leg to remind them that they are still friends. She is friends with the service technicians who fix our furnace. And the plumber. And anyone who visits. And her sisters most of all. Rusalka even gets along with the famously anti-friends Jabberwocky.
She is very serious when she plays, whether that’s chasing a string or screaming before running after a felt bee thrown down the hallway. Her favourite toy is the bee on the string, but we don’t play that very often. When she catches the bee on the string, she bites down and growls and gets very, very serious about keeping what she has caught.
She’s the biggest, cuddliest Mama’s girl, and Hargrave rarely gets to lie down and read without Rusalka insisting on being put on her lap.
The Orange Eats Creeps is that magnificent kind of spooky book that takes an archetypal story and monster and turns it on its head to make something new and even scarier
I think I love Weegee because he is a chronicler of daily life in days gone by. He doesn’t shy away from the ugly parts, but he doesn’t deny the beauty of the ordinary moments that we all take for granted.
I love a haunted house story, and though this isn’t a novel about actual ghosts (for the most part), it is a story about how human lives haunt the places they played out in.
What follows is a fever dream of decay and the juxtaposition of awakening and discovering blurred boundaries between individuals, bodies, sexuality, and plant life.
When you hear the name Tove Jansson, you probably automatically think of Moomin, but Jansson was much more than the exploits of everyone in Moomin Valley.
Di Benedetto’s style is stark and precise. There are no extraneous words here. No time spared on unnecessary details.
One of the things I need more of in this time of much overtime? I need more films — even if I don’t have the time for them.
What I did enjoy about Death in Venice was how oppressive Mann manages to make the atmosphere of the plague-ridden city.
Forbidden Notebook is a testament to repeating patterns that keep women down and prevent them from being who they truly want to be or even seeing themselves as people at all.
One of the best parts of the collected editions like this (especially when they’re arranged chronologically) is that you can follow Mueller through her life and watch her evolve as a writer.