I think what primarily draws people to Brideshead Revisited novel is its themes of decadence, ignorance, and privilege.
Who Has Seen the Wind is a boyhood in a space where the farm meets a just-developing urban reality. There’s an extensive cast of characters and a stream of events that flow as steadily and relentlessly as the passage of time, as Mitchell captures the insular nature of village life.
The Catcher in the Rye is much maligned. Accused of being misogynist, homophobic, and other horrible things, it’s a book that many people have a very strong opinion about one way or another.
I think it’s obvious by this discussion alone that this is an incredibly complex concept to even touch on, let alone explore in depth, but de Beauvoir does just that in a way that is accessible to the reader and tied to the driving plot. If you’re interested in the mechanics of building conceptual narratives into concrete storylines, this novel is definitely a must-read.
The Setting Sun presents a Japan that has lost its sense of identity as its population tries to pick up the pieces after the end of the second world war. It is a setting that has the sense of being in flux, but not in a positive way.
The film was released in 1947, and the book was published in the very same year and it was written by the same man who wrote the story for the film, Valentine Davies.
In some modernist novels that I’ve read, I’ve noticed a particular trade-off that sometimes happens between form and narrative. I was pleased to see that Arno Schmidt is a writer that can perform the delicate balancing act without leaving the narrative behind to do so. This is a review of Nobodaddy’s Children.
A Story About A Real Man is about a man that actually existed — hence the title. Alexei Maresyev was a Soviet pilot that fought in the second world war and suffered a double amputation. This is a review of Boris Polevoy’s novel.
I’m going to admit it right off the bat, Doctor Faustus is not an easy read. For the first three hundred pages it is a difficult slog up an impossible mountain that one cannot see the peak of. This a review of Thomas Mann’s magnum opus.