Richard III
Richard III is not meant to be history; it’s meant to be thought-provoking entertainment that is indeed tailored to the audience that Shakespeare wrote for.
S. Hargrave
S. Hargrave is a Canadian writer and the book reviewer at Old Paper & Cats. Hargrave has a love of rare, antiquarian, and classic literature, works in translation, and cats.
Confessions of a Mask
As the book continues, the narrator becomes less and less reliable and also less sure of himself and what he is capable of. Desires, thoughts, and feelings pull Kochan apart with a slow intensity.
A Childhood: The Biography of a Place
He details stories that float around the county, amongst the men working the fields, and also the stories that women trade while they sew around the dining room table and children play around their feet. Those stories mark time. They are shared county history.
Hiroshima
Hiroshima follows the stories of six individuals who lived through the bomb — a clerk, a seamstress, a doctor, a minister, a surgeon, and a Catholic priest initially from Germany. There are five chapters each with six sections — one for each person.
Let It Come Down
Dyar is not a character you sympathize with, but he is a character that you can’t look away from. His questions about existence are common ones, it is where and how he seeks answers that compose his dissolution and downfall.
Kokoro
he plot of Kokoro centers around two characters that are never named. The first two parts of the novel consist of a young student getting to know an older man whom he refers to only as ‘Sensei’.
Berg
Quin uses vagaries, the mists of the seaside Brighton, and a circularity of language to construct a perfect circular narrative. So perfect, that it’s a magical experience to get to the ending and read how everything comes together.
Chernobyl Prayer
Chernobyl Prayer is one of the most difficult books that I have ever read. It even took me a year to read it due to stopping and starting and the time I needed to take just to breathe through the amount of raw hurt and fear that she painstakingly documents.
Sweet Days of Discipline
aeggy’s starkness has an edge almost of brutality. She doesn’t mince words, she doesn’t dance around what she is trying to say. A confidence and absolute assurance resonates in her work that I rarely see in other authors.
Good Morning, Midnight
Rhys has achieved this intricate and difficult effect by the sheer force of the language she chooses and how she chooses to use it. The flow of Jansen’s thoughts is relentless — but in a quiet way that, instead of overwhelming the reader, immerses them.