Antiquarian and Classic Book Reviews
Most old books are written by men. These books were written by women.
Though the inside flap copy describes the trilogy as ‘Dickensian’, I have to disagree with that description. There’s a reason these books were censored in Ireland when they were first published and implying that these books have any ‘quaintness’ of tone is really not capturing what O’Brien is attempting to say.
I think it’s obvious by this discussion alone that this is an incredibly complex concept to even touch on, let alone explore in depth, but de Beauvoir does just that in a way that is accessible to the reader and tied to the driving plot. If you’re interested in the mechanics of building conceptual narratives into concrete storylines, this novel is definitely a must-read.
Plath’s lyrical prose made it obvious that her poetry would be just as lyrical, and she excels at using language and a sparsity of words to express powerful concepts and themes.
here are a lot of great and very notable essays in here — ‘What White Publishers Won’t Print’, ‘How It Feels to Be Colored Me’, and ‘I Saw Negro Votes Peddled’. However, when discussing Hurston’s work, it is only appropriate to note that she is not the easiest author to read.
he doesn’t shy away from what happened to her, but neither does she use it to shock the reader. Instead, she writes of the horror with blunt honesty, and brutality tempered with careful sentence level consideration and a language that is powerful, yet never gratuitous.
Her style is simple and direct. It speaks to the reader in a very distinct way. When you read her prose, it’s like Didion is sitting across from you in a sitting room late at night, talking about things that people often find difficult to speak about.
It’s surprising that her name seems mostly lost to time — like the grand majority female writers of the Victorian era. What makes it more of a tragedy in Oliphant’s case is that her work is quite good — even better than a lot of writers whose names I’ve seen on the more mainstream ghost story anthologies.
I was gifted Charlotte M Yonge’s writing because she had such a presence for other writers. She was thought of so highly among her contemporaries.
The pace is nearly perfect, and the author is a master at giving just enough information and placing clues and events in the right places to keep the reader turning pages.
Chapters, paragraphs, sentences, and words flow into each other, but at the same time there are images and concepts that stand out and become touchstones for the work as a whole. This is a review of Tove Ditlevsen’s The Copenhagen Trilogy.
