Ariel
Plath’s lyrical prose made it obvious that her poetry would be just as lyrical, and she excels at using language and a sparsity of words to express powerful concepts and themes.
Women Authors
Most old books are written by men. These books were written by women.
You Don’t Know Us Negroes and Other Essays
here are a lot of great and very notable essays in here — ‘What White Publishers Won’t Print’, ‘How It Feels to Be Colored Me’, and ‘I Saw Negro Votes Peddled’. However, when discussing Hurston’s work, it is only appropriate to note that she is not the easiest author to read.
I Know Why the Caged Bird Sings
he doesn’t shy away from what happened to her, but neither does she use it to shock the reader. Instead, she writes of the horror with blunt honesty, and brutality tempered with careful sentence level consideration and a language that is powerful, yet never gratuitous.
Blue Nights and The Year of Magical Thinking
Her style is simple and direct. It speaks to the reader in a very distinct way. When you read her prose, it’s like Didion is sitting across from you in a sitting room late at night, talking about things that people often find difficult to speak about.
The Open Door and Other Stories of the Seen and Unseen
It’s surprising that her name seems mostly lost to time — like the grand majority female writers of the Victorian era. What makes it more of a tragedy in Oliphant’s case is that her work is quite good — even better than a lot of writers whose names I’ve seen on the more mainstream ghost story anthologies.
Scenes and Characters
I was gifted Charlotte M Yonge’s writing because she had such a presence for other writers. She was thought of so highly among her contemporaries.
The Wall
The pace is nearly perfect, and the author is a master at giving just enough information and placing clues and events in the right places to keep the reader turning pages.
The Copenhagen Trilogy
Chapters, paragraphs, sentences, and words flow into each other, but at the same time there are images and concepts that stand out and become touchstones for the work as a whole. This is a review of Tove Ditlevsen’s The Copenhagen Trilogy.
Cold Comfort Farm
What follows is a light-hearted escapade through the tropes and clichés of rural melodramas complete with a happy ending and a lot of jokes at the expense of 1930s high society and their ideas about farming and the poorer classes. This is a review of Stella Gibbons’ Cold Comfort Farm.
The Sea, The Sea
I had read some of Murdoch’s work previously, but I admit that I wanted this set because the book design was gorgeous from the covers to the selection of typeface and the ratio of text to margins. This is a review of Iris Murdoch’s The Sea, The Sea.