Don’t Read This! And Other Tales of the Unnatural
Don’t Read This! features scary stories from authors of diverse backgrounds from Zimbabwe to Japan to Spain. The stories strike many different notes as well from very scary to nearly humorous.
Antiquarian and Classic Book Reviews
20th Century works were written between 1900 and 1999.
These books are the ones most current readers will recognized. The modern novel has been fully developed and fiction has been separated into categories and genre. The 20th century is the root of recent history. It includes events such as suffrage, World War I, World War II, the Vietnam War, and the Cold War.
Beginning with the Edwardian Era and the Modernist movement, these years explore experiments with form and structure. Post-War and Interwar fiction is often featured in reviews.
If you’re looking for post-modernism, structuralism, post-structuralism, post-post-modernism, or any very recent movement, you will find those listed under contemporary works.
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Don’t Read This! features scary stories from authors of diverse backgrounds from Zimbabwe to Japan to Spain. The stories strike many different notes as well from very scary to nearly humorous.
Alvin Schwartz’s Scary Stories to Tell in the Dark trilogy was one of my favourite sets of books when I was growing up. I especially loved books that presented stories and the folklore they were based on.
Tišma makes death a haunting presence, coming in and out of focus, receding and approaching. It is always there and always palpable, and is never far away.
The play is three acts and at its core is about lost potential and the regrets that follow it. To some extent it is also about the corruption and power dynamics that can flourish in academia.
Orwell and the Dispossessed takes the reader beyond 1984 and Animal Farm and emphasizes that Orwell was a diverse and talented writer that had a lot to say and cut the reader to core at the same time as making them think.
The Other is full of twists and turns and proceeds along at a fast pace — so fast that I could easily read it in the course of a long afternoon and evening.
To describe Abe’s The Face of Another as a horror novel would only be scratching the surface of what it truly delivers.
The amount of correspondence included here seems nearly silly when you think that this is before the age of internet and the two-line email and all of them — other than the telegrams and internal memos — required stationary, stamps, and envelopes.
I have a very old movie-tie in edition of The Amityville Horror and it was printed back when it was able to put the whole ‘based on a true story’ claim on the cover.
Bloch writes a twisting thriller that manages to surprise, even when you’ve watched the film first.