Valentino and Sagittarius
It’s easy to read Ginzburg’s prose in one sitting due to its compelling ebb and flow that makes the pages disappear and story take shape like the very best of books.
Antiquarian and Classic Book Reviews
The Modernist movement was a self-conscious break from the traditional methods and techniques of writing prose and poetry. The term exemplifying the movement was coined by Ezra Pound: “Make it new.”
Modernist writing often blurs the boundaries between forms and genre. Poetry, free verse, script writing, traditional prose, and non-traditional prose all share the same space. The works range in difficulty, but are often quite challenging to read with complete understanding. Many of these works will be footnoted, even in non-academic volumes.
Often these works deal with difficult subject matter or unpopular viewpoints (at the time they were written) or social inequalities. Some were censored at the time of publication.
Modernist writers include Virginia Woolf, James Joyce, Rilke, Kafka, Ryūnosuke Akutagawa, Gertrude Stein, and Arno Schmidt.
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It’s easy to read Ginzburg’s prose in one sitting due to its compelling ebb and flow that makes the pages disappear and story take shape like the very best of books.
In some modernist novels that I’ve read, I’ve noticed a particular trade-off that sometimes happens between form and narrative. I was pleased to see that Arno Schmidt is a writer that can perform the delicate balancing act without leaving the narrative behind to do so. This is a review of Nobodaddy’s Children.