A Moveable Feast
Hemingway is writing about a time before he achieved any kind of legendary status, when he lived in a derelict flat and struggled to feed himself and his family while still writing in cafés and remaining connected with his peers.
Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
You are viewing Contemporary reviews.
You can view all other eras/movements, or you can search by language/region, genre, editor/translator, book authors, or year of edition.
Hemingway is writing about a time before he achieved any kind of legendary status, when he lived in a derelict flat and struggled to feed himself and his family while still writing in cafés and remaining connected with his peers.
I still do not find myself drawn to Carrère’s memoir or autobiographical work. But I am glad that I gave his fiction and true crime a chance.
I appreciate that her work seems to be suddenly available and back in print. I often find it on shelves and see it arriving at my local independent bookstore.
Domestic horror is a sub-genre that allows for so many subtleties and so many facets of the disturbing.
I was late when it comes to the world of Moomin, only encountering it in my mid-twenties when I was really delving into the world of independent and vintage comics.
Hers is one of those names that is constantly mentioned — especially if you read literary essays or are generally interested in the New York City art scene in the 1970s through the 1990s.
Gallant clusters the stories like one is hearing about a circle of friends or acquaintances at a party.
Girl, Interrupted features one of my favourite structures — it is a memoir constructed via vignettes. There are lots of margins here.
Not only is this published at a time when LGBT+ relationships were not depicted with any kind of regularity in literature, but it uses a framework that is used frequently in heterosexual romances.
While it might sound like a difficult read, it isn’t. Guibert’s voice remains strong even as his body is starting to weaken and more fear dominates his days.