Before Night Falls
Penguin Vitae editions are easy to love and to gush over. The colours! The foil text! The hardcover, in a comfortable size!
Contemporary
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
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Close to the Knives
Wojnarowicz is asking us to listen to him crying from his deathbed and the reader cannot turn away.
Airless Spaces
Sometimes books constructed out of vignettes seem to be built on a faulty foundation and have frames that are not enough to withstand the weight of a message or a book. Firestone here has used the flexibility of very short vignettes to construct just what her title implies — an airless space.
Voices of the Fallen Heroes
When you read these stories, it’s easy to start looking for threads of his eventual fate or at least the mental state that led to it. Are they there? Yes, but they are subtle.
Hollywood Babylon
here’s one thing you have to remember if you decide to take this trip into the past of Hollywood mayhem. Most of the stories here? Not true. As in: ludicrously not true.
I Am Not Ashamed
If you don’t know who Barbara Payton was, you are forgiven. I was actually introduced to her and her book through Eddie Muller’s Noir Alley on TCM, and a screening of Kiss Tomorrow Goodbye, a 1950 James Cagney film.
Adventures in the Screen Trade
I came to William Goldman’s Adventures in the Screen Trade via last week’s book, Julie Salamon’s The Devil’s Candy. It was actually mentioned in the puffery on the back of that essential book as being another essential book.
The Devil’s Candy
Salamon is exhaustive in her recounting of the movie-making process, from casting all the way to the final agonizing returns. I learned a lot about what it takes to produce a film, and the processes of people far removed from the actors and the cameras.
The Lover
While the book is called The Lover, I would argue that it’s not much about the lover at all.
Victorian Murderesses
Hartman asks for serious scholars only, and for the reader to commit to thinking about more than how much blood the scene contained and which gory details are the most disgusting.