Paris Vagabond
Clébert doesn’t shy away from any part of his experiences, no matter how ugly, but he also paints a portrait of community and belonging among those that traditionally do not belong.
Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
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Clébert doesn’t shy away from any part of his experiences, no matter how ugly, but he also paints a portrait of community and belonging among those that traditionally do not belong.
Comedic novels aren’t exactly plentiful in my stacks, but I do turn to them, especially in bleak times and on bleak days. A gloomy January thaw is the perfect time to enjoy one and so I dug one out of my read stacks that I have been meaning to review for a while.
Lenoard Michaels’ novel/memoir Sylvia is basically a book about a terrible relationship. Michaels meets and then rapidly marries Sylvia in front of the backdrop of 1960s Manhattan.
The book brings the reader the feeling of looking out on that first snowfall, when the world feels sparkling, new, and full of beautiful, cold days to come.
His account of the bomb is written from the view of the survivors, focusing primarily on those that worked or were studying at the hospital.
Jakov Lind’s Soul of Wood is technically an example of post-war German literature but I decided to include it anyway because all of these stories revolve around the second world war and its aftermath.
Of all of the accounts I have read from reporters during the Vietnam War, Schell’s is not the most myopic.
Both A Helping Hand and A Dark Corner are well under two hundred pages, but each of them packs a disturbing punch and were well ahead of their time.
This book is a selection of work spanning multiple decades, and particularly has a focus on showcasing Ocampo’s tendency to be both insightful and at the same time grotesque, haunting, and fantastic.
It’s not the usual gothic fare, but instead is a bit more subtle in its spookiness. However, there is a spooky graveyard and a few scary desolate locations.