19th Century

19th Century works were written between 1800 and 1899.

These were the years where the novel flourished. The beginning of genre fiction was developed during this century, as were modern novel structures. Styles of the 19th century include Realism and many early forms of verisimilitude.

This era covers from the Romantic Era through the Victorian Era. Here is where you can find most ‘classic’ works of fiction, as defined by your high school English class.


You are viewing 19th Century reviews.

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Horror Stories: Classic Tales from Hoffmann to Hodgson


19th Century 20th Century ---

It might seem strange, and I’m sure it’s not a preference that many people share, but sometimes when I feel my worst — very anxious, very depressed, very not well — and can’t sleep, scary stories are what I turn to. There’s something about ghosts, goblins, vampires, and spooky houses in settings a hundred and fifty years old that draws me out of the racing thoughts my brain gets stuck in. This is a review of Horror Stories.




The Queen of Spades


Romantic Era

The premise might be an old one, but what Pushkin does with it is worthy of praise. His writing flows with a concise clarity that is poetic in and of itself.

The Queen of Spades is a novella that is not too short and not too long. It’s a perfect short read for an afternoon or an evening, clocking in at approximately 82 pages including the prologue. The clarity of the prose and the flow of it make the reader nearly fly through it and want to finish it in one sitting if at all possible. This is a review of A. S. Pushkin’s The Queen of Spades.




Japanese Ghost Stories


Victorian Era

Why do I like ghost stories? I like them because I like to hear stories. I like to suspend my disbelief for that instant why I wonder if they could happen. I like them because I like to read stories about a version of reality that is just a bit off-kilter and unexplained. This is a review of Lafcadio Hearn’s Japanese Ghost Stories.



Jude the Obscure


Victorian Era

This book got mixed reviews when it was published, one going so far as to call it ‘obscene’. What was obscene about it was the discussion of themes and aspects of Victorian life that Victorians were in no way comfortable discussing — including the struggles of the lower classes and their exclusion from even the dream of higher education, the lack of class mobility, sex, sexism, animal cruelty, the destructive power of gossip, bad marriages, and horrible people. This is a review of Thomas Hardy’s Jude the Obscure.