Antiquarian and Classic Book Reviews
Books written by British, Irish, and Scottish authors from the United Kingdom. Usually written in English.
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I’ve been reading classic literature since I was very young, but the work of Austen was a blind spot for me. Mostly, that had to do with the way acquaintances pushed me to read them. Bright. Sparkly. Light. Romantic. Those are not the words that draw me to literature. They also weren’t the entire picture of either the novels or the author. This is a review of Jane Austen’s Pride and Prejudice.
The romance of Heathcliff and Catherine Earnshaw is one of the most well known in English literature. The narrative proceeds in twists and turns that never lack for dramatic flair. This is review of Emily Brontë’s Wuthering Heights — an essential ghost story as much as an essential romance.
This November, I want to celebrate that with a month dedicated to essential romance novels from classic literature. Romance is not a genre I often read, but these books have made a profound impact on literature in general, and as such deserve their due consideration and analysis. This is a review of Samuel Richardson’s Pamela; or Virtue Rewarded and two books best read with it Shamela and Joseph Andrews, both by Henry Fielding.
The difficulty of the year has me turning to books more than ever as a soothing distraction and in my search for them I can’t help but notice the decided uptick in plague literature. Most of the books I have seen mentioned I’ve read before all of this began — but this one was sitting in my to-read stacks. This is a review of Daniel Defoe’s A Journal of a Plague Year.
As much as I rarely buy newly published books, I make exceptions for curations of ghost stories and new printings of old, often forgotten work. This is a special Halloween review of Weird Women and Haunted Houses.
It might seem strange, and I’m sure it’s not a preference that many people share, but sometimes when I feel my worst — very anxious, very depressed, very not well — and can’t sleep, scary stories are what I turn to. There’s something about ghosts, goblins, vampires, and spooky houses in settings a hundred and fifty years old that draws me out of the racing thoughts my brain gets stuck in. This is a review of Horror Stories.
I’ve met people that swear by Camp Crystal Lake and others that don Freddy’s classic bladed gloves or put on the Ghostface mask from the Scream series. But nothing really gives me that feeling of decay, destruction, and ghostliness like stories, films, and books that have Victorian settings. This is a review of Susan Hill’s The Woman in Black.
What do you think of when you think of Gothic mystery? A mysterious death followed by a mysterious will? Opium? Scary governesses? Some kind of murder plot? Graves? Estranged uncles? Gypsies? Creepy cousins? Murder? Gambling debts? Estates badly managed?
Did you say all of the above?
This is a review of Sheridan Le Fanu’s Uncle Silas.
The little details and techniques matter, and can be the difference between a good book and an unforgettable one. This book changed the way I saw font, style, technique, and it showed me the power of humour to be as immortal as literature itself. This is a review of Laurence Sterne’s Tristram Shandy.
These novels aren’t exactly ‘novels’ per se, in the sense that they are not traditionally structured narratives. Instead, they are more of a collection of stories about rural life in the later nineteenth century. This is a review of Flora Thompson’s Lark Rise to Candleford.
