Less Than Zero
Looking at this book as being about a generation as whole is not really the way to get a complete picture of it nor of the statement it makes.
Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
You are viewing Contemporary reviews.
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Looking at this book as being about a generation as whole is not really the way to get a complete picture of it nor of the statement it makes.
It turns the audience into an eavesdropper, listening to thoughts said aloud when a character is alone.
When I think about the reader I am now and what influences guided me to become so interested in literature, I inevitably remember this book. It was one of the books I carefully preserved when I grew up. It still sits on my bedside table as an adult.
Don’t Read This! features scary stories from authors of diverse backgrounds from Zimbabwe to Japan to Spain. The stories strike many different notes as well from very scary to nearly humorous.
Alvin Schwartz’s Scary Stories to Tell in the Dark trilogy was one of my favourite sets of books when I was growing up. I especially loved books that presented stories and the folklore they were based on.
Tišma makes death a haunting presence, coming in and out of focus, receding and approaching. It is always there and always palpable, and is never far away.
The play is three acts and at its core is about lost potential and the regrets that follow it. To some extent it is also about the corruption and power dynamics that can flourish in academia.
The Other is full of twists and turns and proceeds along at a fast pace — so fast that I could easily read it in the course of a long afternoon and evening.
To describe Abe’s The Face of Another as a horror novel would only be scratching the surface of what it truly delivers.
The amount of correspondence included here seems nearly silly when you think that this is before the age of internet and the two-line email and all of them — other than the telegrams and internal memos — required stationary, stamps, and envelopes.