Ariel
Plath’s lyrical prose made it obvious that her poetry would be just as lyrical, and she excels at using language and a sparsity of words to express powerful concepts and themes.
Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
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Plath’s lyrical prose made it obvious that her poetry would be just as lyrical, and she excels at using language and a sparsity of words to express powerful concepts and themes.
Ellison’s use of language to create complex tapestries of themes and concepts is hard to put into words, both because his style is so unique and because his skill is so profound.
he doesn’t shy away from what happened to her, but neither does she use it to shock the reader. Instead, she writes of the horror with blunt honesty, and brutality tempered with careful sentence level consideration and a language that is powerful, yet never gratuitous.
We happened across Raoul Peck’s film I Am Not Your Negro one February night while flipping through the channels. TVO was airing it as part of its yearly Black History Month’s selections. It’s a film that I would not hesitate to name as essential, and it’s what was responsible for my introduction to James Baldwin’s work.
Each novel is a different exploration and comment on Irish culture, but each is written in a style that is uniquely O’Brien’s. He has a talent for bitter, scathing satire that sits in the midst of light, often comic prose.
If you haven’t heard of James M. Cain, you’ve most certainly heard of the films based on his work. Cain is a master at creating a feeling of disgusted disillusionment in his many horrible and fractured characters.
Looking at this book as being about a generation as whole is not really the way to get a complete picture of it nor of the statement it makes.
It turns the audience into an eavesdropper, listening to thoughts said aloud when a character is alone.
When I think about the reader I am now and what influences guided me to become so interested in literature, I inevitably remember this book. It was one of the books I carefully preserved when I grew up. It still sits on my bedside table as an adult.
Don’t Read This! features scary stories from authors of diverse backgrounds from Zimbabwe to Japan to Spain. The stories strike many different notes as well from very scary to nearly humorous.