Antiquarian and Classic Book Reviews
Chernobyl Prayer is one of the most difficult books that I have ever read. It even took me a year to read it due to stopping and starting and the time I needed to take just to breathe through the amount of raw hurt and fear that she painstakingly documents.
aeggy’s starkness has an edge almost of brutality. She doesn’t mince words, she doesn’t dance around what she is trying to say. A confidence and absolute assurance resonates in her work that I rarely see in other authors.
Rhys has achieved this intricate and difficult effect by the sheer force of the language she chooses and how she chooses to use it. The flow of Jansen’s thoughts is relentless — but in a quiet way that, instead of overwhelming the reader, immerses them.
As skilled and articulate as this novel is, it’s a difficult read. Perhaps the most interesting aspect of the novel is the examination of performance both historically and in terms of the performances characters go through for the sake of saving face, or defending against impending decisions.
The original novel of The Lost Weekend is quite different from the film. The book is even more honest and ugly, portraying addiction as not only destructive for the addict but the entire world around them.
It’s easy to read Ginzburg’s prose in one sitting due to its compelling ebb and flow that makes the pages disappear and story take shape like the very best of books.
One things about horror is that it can be a bit loud or garish in the way it delivers the message is seeks to convey. Lessing doesn’t do this.
Though the inside flap copy describes the trilogy as ‘Dickensian’, I have to disagree with that description. There’s a reason these books were censored in Ireland when they were first published and implying that these books have any ‘quaintness’ of tone is really not capturing what O’Brien is attempting to say.
I think it’s obvious by this discussion alone that this is an incredibly complex concept to even touch on, let alone explore in depth, but de Beauvoir does just that in a way that is accessible to the reader and tied to the driving plot. If you’re interested in the mechanics of building conceptual narratives into concrete storylines, this novel is definitely a must-read.
Plath’s lyrical prose made it obvious that her poetry would be just as lyrical, and she excels at using language and a sparsity of words to express powerful concepts and themes.
