Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
You are viewing Contemporary reviews.
You can view all other eras/movements, or you can search by language/region, genre, editor/translator, book authors, or year of edition.
It takes a very good writer to write the ordinary and make it seem exactly that: ordinary. Alice Munro is just such a writer. Her stories aren’t fantastical; instead, they are stories of people that could be your neighbour or one of your parents’ friends. This is a review of The Love of A Good Woman.
I’ve met people that swear by Camp Crystal Lake and others that don Freddy’s classic bladed gloves or put on the Ghostface mask from the Scream series. But nothing really gives me that feeling of decay, destruction, and ghostliness like stories, films, and books that have Victorian settings. This is a review of Susan Hill’s The Woman in Black.
I’ll always remember the hospital and the hospital basement as one of the settings of my childhood. I spent a lot of time there and listening to my mother’s stories of what it’s like to work in healthcare. This is a review of Aleksandr Solzhenitsyn’s Cancer Ward.
These novels aren’t exactly ‘novels’ per se, in the sense that they are not traditionally structured narratives. Instead, they are more of a collection of stories about rural life in the later nineteenth century. This is a review of Flora Thompson’s Lark Rise to Candleford.
For a few years, starting when I was twelve or thirteen I followed the same ritual on Friday nights. Right after dinner, as dusk was falling, I’d walk to the mall across the street and enter the store, making a beeline to my favourite section — the horror movies. This is a review of Ray Russell’s The Case Against Satan.
This week’s Halloween in August pick is from a classic horror writer. It’s a collection of five stories all of them sharing a tone of unease, some with themes of the supernatural, others more about a mystery. This is a review of Daphne du Maurier’s Don’t Look Now.
Something to note about Ligotti: You have to expect to think. Sometimes, when I’m in the mood for a horror story, I’ll pick up a collection and know that I’m reading a good yarn that is just and only that. But Ligotti interweaves an existential dread into his stories and concepts that keep you thinking long after the story ends. This is a review of Songs of a Dead Dreamer and Grimscribe.
Though the novel is complete in terms of narrative, it’s not exactly finished per se. There’s a note in front of my edition that explains that the decision was made to publish the work because reading as much of Camus’ as possible helps readers and scholars understand who Camus was as a writer and his process. This is a review of A Happy Death.
We’ve settled into late spring, early summer without any of the in-between gradual changes. This is the kind of year that I think of as distinctly Canadian. This a review of Timothy Findley’s The Wars.
There is no singular process that recommends a book to me or by which I choose what to read when. My reading tastes can change with a given day or even a given hour — which is why I tend to read about eight to ten books at once. This is a review of The Bluest Eye.
