The Amityville Horror
I have a very old movie-tie in edition of The Amityville Horror and it was printed back when it was able to put the whole ‘based on a true story’ claim on the cover.
Antiquarian and Classic Book Reviews
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
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I have a very old movie-tie in edition of The Amityville Horror and it was printed back when it was able to put the whole ‘based on a true story’ claim on the cover.
Bloch writes a twisting thriller that manages to surprise, even when you’ve watched the film first.
I often read as much about American politics as I do about the politics about my own country. Though it feels like I’m on the outside looking in when I read books like this, it to some extent feels closer than is comfortable as well.
What drew me to this book initially was the simple fact that my local independent bookstore had it in stock and it was a mystery published in the late 1970s that was dubbed a classic.
This book goes beyond a road trip, because what it provides is more of a historical snapshot of what the roads and landscape were like over a half-century ago.
I didn’t plan on not being able to finish this book — but I didn’t finish. So this unreview is part of the journey, a bump on the literary road trip.
On the surface, he’s travelling with his attorney and a trunk full of drugs in order to document a racing event and later on to attend a convention for law enforcement on drugs and drug culture. Below the surface, it’s a journey to figure out the purpose of journalism, idealism, and its role in the shifting tide of American culture. This is a review of Hunter S. Thompson’s Fear and Loathing in Las Vegas.
Chapters, paragraphs, sentences, and words flow into each other, but at the same time there are images and concepts that stand out and become touchstones for the work as a whole. This is a review of Tove Ditlevsen’s The Copenhagen Trilogy.
It’s a fast-paced narrative that critics and readers alike agree has literary merit. The debate comes from the author’s proclamation of being perfectly factual. This is a review of Truman Capote’s In Cold Blood.
I had read some of Murdoch’s work previously, but I admit that I wanted this set because the book design was gorgeous from the covers to the selection of typeface and the ratio of text to margins. This is a review of Iris Murdoch’s The Sea, The Sea.