Antiquarian and Classic Book Reviews
19th Century works were written between 1800 and 1899.
These were the years where the novel flourished. The beginning of genre fiction was developed during this century, as were modern novel structures. Styles of the 19th century include Realism and many early forms of verisimilitude.
This era covers from the Romantic Era through the Victorian Era. Here is where you can find most ‘classic’ works of fiction, as defined by your high school English class.
You are viewing 19th Century reviews.
You can view all other eras/movements, or you can search by language/region, genre, editor/translator, book authors, or year of edition.
Live-streamed opera is where we first saw Tchaikovsky’s Eugene Onegin, which is based on the Pushkin novel. Even though we weren’t provided with subtitles to the Met’s production from 2007, the imagery and the music were capable of conveying the story in and of themselves. Whenever I see fall leaves in piles on the ground, I’m reminded of the set design. This is a review of Pushkin’s Eugene Onegin.
The romance of Heathcliff and Catherine Earnshaw is one of the most well known in English literature. The narrative proceeds in twists and turns that never lack for dramatic flair. This is review of Emily Brontë’s Wuthering Heights — an essential ghost story as much as an essential romance.
As much as I rarely buy newly published books, I make exceptions for curations of ghost stories and new printings of old, often forgotten work. This is a special Halloween review of Weird Women and Haunted Houses.
It might seem strange, and I’m sure it’s not a preference that many people share, but sometimes when I feel my worst — very anxious, very depressed, very not well — and can’t sleep, scary stories are what I turn to. There’s something about ghosts, goblins, vampires, and spooky houses in settings a hundred and fifty years old that draws me out of the racing thoughts my brain gets stuck in. This is a review of Horror Stories.
What do you think of when you think of Gothic mystery? A mysterious death followed by a mysterious will? Opium? Scary governesses? Some kind of murder plot? Graves? Estranged uncles? Gypsies? Creepy cousins? Murder? Gambling debts? Estates badly managed?
Did you say all of the above?
This is a review of Sheridan Le Fanu’s Uncle Silas.
It’s an example of literary realism that is widely considered one of the most influential novels in literary history. It’s been adapted many times both for stage and for screen as well as being admired both by Henry James and Marcel Proust. Though it was his debut novel, it’s also considered Flaubert’s magnum opus. This is a review of Madame Bovary.
The premise might be an old one, but what Pushkin does with it is worthy of praise. His writing flows with a concise clarity that is poetic in and of itself.
The Queen of Spades is a novella that is not too short and not too long. It’s a perfect short read for an afternoon or an evening, clocking in at approximately 82 pages including the prologue. The clarity of the prose and the flow of it make the reader nearly fly through it and want to finish it in one sitting if at all possible. This is a review of A. S. Pushkin’s The Queen of Spades.
This play is not just about politics. It tells the story of a personal revolution in the character of Wilhelm Tell himself. This is a review of Friedrich von Schiller’s Wilhelm Tell.
The narrative is a relatively simple one, but within it Dostoevsky’s writing really shines. This is a review of Dostoevsky’s Poor Folk.
Why do I like ghost stories? I like them because I like to hear stories. I like to suspend my disbelief for that instant why I wonder if they could happen. I like them because I like to read stories about a version of reality that is just a bit off-kilter and unexplained. This is a review of Lafcadio Hearn’s Japanese Ghost Stories.
