Poor Folk
The narrative is a relatively simple one, but within it Dostoevsky’s writing really shines. This is a review of Dostoevsky’s Poor Folk.
Antiquarian and Classic Book Reviews
Jabberwocky is a little monster of a calico tabby. A very active cat, she is Hargrave’s little snicker-snack. She’s the third youngest kitten and has a very silky coat.
Hargrave adopted Jabberwocky from a shelter as a kitten. She was playful, adorable, and had big green eyes. She also didn’t sleep. After several 4AM wake-ups, Jabbers had to be trained to go to bed at a certain time. Even as an adult, she still goes to bed every night.
A valued member of the thieves guild, Jabberwocky will steal anything not nailed down. Her sister’s kibbles? Stolen. Pen on the table? Knocked off. Chair you wanted to sit in? Taken.
Despite being very hyper and never sleeping, Jabbers is also rather lazy. She loves to run after a toy as much as she loves to stuff herself and fall asleep on someone’s lap. It’s a contradiction she’ll never resolve.
The narrative is a relatively simple one, but within it Dostoevsky’s writing really shines. This is a review of Dostoevsky’s Poor Folk.
I was first introduced to this book via the 1934 film of the same name that was very loosely based on it. We watched it on Turner Classic Movies one evening and I thought perhaps that the novel would fill in some of the gaps that I saw in the film. This is a review of W. Somerset Maugham’s Of Human Bondage.
I’d actually heard of this book several years before finding it by chance on the shelf of the local bookstore. I couldn’t resist purchasing it, if only to find out why it was so heavily referenced. This is a review of John Gay’s The Beggar’s Opera.
Why do I like ghost stories? I like them because I like to hear stories. I like to suspend my disbelief for that instant why I wonder if they could happen. I like them because I like to read stories about a version of reality that is just a bit off-kilter and unexplained. This is a review of Lafcadio Hearn’s Japanese Ghost Stories.
This week’s Halloween in August pick is from a classic horror writer. It’s a collection of five stories all of them sharing a tone of unease, some with themes of the supernatural, others more about a mystery. This is a review of Daphne du Maurier’s Don’t Look Now.
Something to note about Ligotti: You have to expect to think. Sometimes, when I’m in the mood for a horror story, I’ll pick up a collection and know that I’m reading a good yarn that is just and only that. But Ligotti interweaves an existential dread into his stories and concepts that keep you thinking long after the story ends. This is a review of Songs of a Dead Dreamer and Grimscribe.
It’s hard to believe that this year I find myself wishing for rain. We often sit on the sofa and watch the sky darken outside the window, waiting for thunderstorms, sighing when the clouds pass over and the earth under them has gotten no relief. The air remains humid but at the same time dusty and expectant. This is a review of Dostoevsky’s Demons.
Though the novel is complete in terms of narrative, it’s not exactly finished per se. There’s a note in front of my edition that explains that the decision was made to publish the work because reading as much of Camus’ as possible helps readers and scholars understand who Camus was as a writer and his process. This is a review of A Happy Death.
In some modernist novels that I’ve read, I’ve noticed a particular trade-off that sometimes happens between form and narrative. I was pleased to see that Arno Schmidt is a writer that can perform the delicate balancing act without leaving the narrative behind to do so. This is a review of Nobodaddy’s Children.
A Story About A Real Man is about a man that actually existed — hence the title. Alexei Maresyev was a Soviet pilot that fought in the second world war and suffered a double amputation. This is a review of Boris Polevoy’s novel.