The Face of Another
To describe Abe’s The Face of Another as a horror novel would only be scratching the surface of what it truly delivers.
Antiquarian and Classic Book Reviews
Rusalka is a kitten!
This little ball of tortitude is the newest addition to our family. We’re still getting to know her, but we do know that she’s very talkative and doesn’t like to be alone. She was adopted at ten weeks old in September 2020 and is the youngest cat in our household.
Rusalka is a tortoiseshell kitten, with beautifully brindled fur.
To describe Abe’s The Face of Another as a horror novel would only be scratching the surface of what it truly delivers.
The amount of correspondence included here seems nearly silly when you think that this is before the age of internet and the two-line email and all of them — other than the telegrams and internal memos — required stationary, stamps, and envelopes.
I have a very old movie-tie in edition of The Amityville Horror and it was printed back when it was able to put the whole ‘based on a true story’ claim on the cover.
I often read as much about American politics as I do about the politics about my own country. Though it feels like I’m on the outside looking in when I read books like this, it to some extent feels closer than is comfortable as well.
my local independent bookstore called to inform me that my copy of the British Library’s (Tales of the Weird Collection) Chill Tidings had arrived. That made a Christmas in July post impossible to resist.
What drew me to this book initially was the simple fact that my local independent bookstore had it in stock and it was a mystery published in the late 1970s that was dubbed a classic.
The views of the river and the details of the water winding its way through the sleepy countryside makes the reader want to rent a boat immediately and get to any water close by.
Claire Boltwood is on such a trip across the country — driving herself and her father from Minneapolis to Seattle in a very nice car on some not very nice roads. Lewis describes not just the scenery but also the reality of flat tires, car repairs, getting stuck in mud, and unpleasant hotels.
This book goes beyond a road trip, because what it provides is more of a historical snapshot of what the roads and landscape were like over a half-century ago.
The real shining piece of this book is the ghost and the setting. The whole world of the opera house comes alive as the ghost wrecks havoc and extracts vengeance. This is a review of Gaston Leroux’s The Phantom of the Opera (Le Fantôme de l’Opéra).