The Wall
The pace is nearly perfect, and the author is a master at giving just enough information and placing clues and events in the right places to keep the reader turning pages.
Antiquarian and Classic Book Reviews
The pace is nearly perfect, and the author is a master at giving just enough information and placing clues and events in the right places to keep the reader turning pages.
What drew me to this book initially was the simple fact that my local independent bookstore had it in stock and it was a mystery published in the late 1970s that was dubbed a classic.
When I think about our little car and the time spent in it, I have a hard time imagining what it must have been like travelling by coach across the England.
The views of the river and the details of the water winding its way through the sleepy countryside makes the reader want to rent a boat immediately and get to any water close by.
Claire Boltwood is on such a trip across the country — driving herself and her father from Minneapolis to Seattle in a very nice car on some not very nice roads. Lewis describes not just the scenery but also the reality of flat tires, car repairs, getting stuck in mud, and unpleasant hotels.
This book goes beyond a road trip, because what it provides is more of a historical snapshot of what the roads and landscape were like over a half-century ago.
I didn’t plan on not being able to finish this book — but I didn’t finish. So this unreview is part of the journey, a bump on the literary road trip.
On the surface, he’s travelling with his attorney and a trunk full of drugs in order to document a racing event and later on to attend a convention for law enforcement on drugs and drug culture. Below the surface, it’s a journey to figure out the purpose of journalism, idealism, and its role in the shifting tide of American culture. This is a review of Hunter S. Thompson’s Fear and Loathing in Las Vegas.
Chapters, paragraphs, sentences, and words flow into each other, but at the same time there are images and concepts that stand out and become touchstones for the work as a whole. This is a review of Tove Ditlevsen’s The Copenhagen Trilogy.
A critique of journalism and the complex politics and corruption present in the newspaper industry in Paris at the turn of the last century, this is a review of Guy de Maupassant’s Bel-Ami.