The Other
The Other is full of twists and turns and proceeds along at a fast pace — so fast that I could easily read it in the course of a long afternoon and evening.
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Books written by American authors. Usually written in English.
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The Other is full of twists and turns and proceeds along at a fast pace — so fast that I could easily read it in the course of a long afternoon and evening.
The amount of correspondence included here seems nearly silly when you think that this is before the age of internet and the two-line email and all of them — other than the telegrams and internal memos — required stationary, stamps, and envelopes.
I have a very old movie-tie in edition of The Amityville Horror and it was printed back when it was able to put the whole ‘based on a true story’ claim on the cover.
Bloch writes a twisting thriller that manages to surprise, even when you’ve watched the film first.
I often read as much about American politics as I do about the politics about my own country. Though it feels like I’m on the outside looking in when I read books like this, it to some extent feels closer than is comfortable as well.
The pace is nearly perfect, and the author is a master at giving just enough information and placing clues and events in the right places to keep the reader turning pages.
Claire Boltwood is on such a trip across the country — driving herself and her father from Minneapolis to Seattle in a very nice car on some not very nice roads. Lewis describes not just the scenery but also the reality of flat tires, car repairs, getting stuck in mud, and unpleasant hotels.
This book goes beyond a road trip, because what it provides is more of a historical snapshot of what the roads and landscape were like over a half-century ago.
On the surface, he’s travelling with his attorney and a trunk full of drugs in order to document a racing event and later on to attend a convention for law enforcement on drugs and drug culture. Below the surface, it’s a journey to figure out the purpose of journalism, idealism, and its role in the shifting tide of American culture. This is a review of Hunter S. Thompson’s Fear and Loathing in Las Vegas.
It’s a fast-paced narrative that critics and readers alike agree has literary merit. The debate comes from the author’s proclamation of being perfectly factual. This is a review of Truman Capote’s In Cold Blood.