The Catcher in the Rye
The Catcher in the Rye is much maligned. Accused of being misogynist, homophobic, and other horrible things, it’s a book that many people have a very strong opinion about one way or another.
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Books written by American authors. Usually written in English.
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A Childhood: The Biography of a Place
He details stories that float around the county, amongst the men working the fields, and also the stories that women trade while they sew around the dining room table and children play around their feet. Those stories mark time. They are shared county history.
Hiroshima
Hiroshima follows the stories of six individuals who lived through the bomb — a clerk, a seamstress, a doctor, a minister, a surgeon, and a Catholic priest initially from Germany. There are five chapters each with six sections — one for each person.
Let It Come Down
Dyar is not a character you sympathize with, but he is a character that you can’t look away from. His questions about existence are common ones, it is where and how he seeks answers that compose his dissolution and downfall.
The Lost Weekend
The original novel of The Lost Weekend is quite different from the film. The book is even more honest and ugly, portraying addiction as not only destructive for the addict but the entire world around them.
Ariel
Plath’s lyrical prose made it obvious that her poetry would be just as lyrical, and she excels at using language and a sparsity of words to express powerful concepts and themes.
You Don’t Know Us Negroes and Other Essays
here are a lot of great and very notable essays in here — ‘What White Publishers Won’t Print’, ‘How It Feels to Be Colored Me’, and ‘I Saw Negro Votes Peddled’. However, when discussing Hurston’s work, it is only appropriate to note that she is not the easiest author to read.
Juneteenth
Ellison’s use of language to create complex tapestries of themes and concepts is hard to put into words, both because his style is so unique and because his skill is so profound.
I Know Why the Caged Bird Sings
he doesn’t shy away from what happened to her, but neither does she use it to shock the reader. Instead, she writes of the horror with blunt honesty, and brutality tempered with careful sentence level consideration and a language that is powerful, yet never gratuitous.
I Am Not Your Negro and Nothing Personal
We happened across Raoul Peck’s film I Am Not Your Negro one February night while flipping through the channels. TVO was airing it as part of its yearly Black History Month’s selections. It’s a film that I would not hesitate to name as essential, and it’s what was responsible for my introduction to James Baldwin’s work.