The Lost Weekend
The original novel of The Lost Weekend is quite different from the film. The book is even more honest and ugly, portraying addiction as not only destructive for the addict but the entire world around them.
Antiquarian and Classic Book Reviews
Books written by American authors. Usually written in English.
You are viewing American authors.
You can view all languages/regions, or you can search by editor/translator, genre, era/movement, book authors, or year of edition.
The original novel of The Lost Weekend is quite different from the film. The book is even more honest and ugly, portraying addiction as not only destructive for the addict but the entire world around them.
Plath’s lyrical prose made it obvious that her poetry would be just as lyrical, and she excels at using language and a sparsity of words to express powerful concepts and themes.
here are a lot of great and very notable essays in here — ‘What White Publishers Won’t Print’, ‘How It Feels to Be Colored Me’, and ‘I Saw Negro Votes Peddled’. However, when discussing Hurston’s work, it is only appropriate to note that she is not the easiest author to read.
Ellison’s use of language to create complex tapestries of themes and concepts is hard to put into words, both because his style is so unique and because his skill is so profound.
he doesn’t shy away from what happened to her, but neither does she use it to shock the reader. Instead, she writes of the horror with blunt honesty, and brutality tempered with careful sentence level consideration and a language that is powerful, yet never gratuitous.
We happened across Raoul Peck’s film I Am Not Your Negro one February night while flipping through the channels. TVO was airing it as part of its yearly Black History Month’s selections. It’s a film that I would not hesitate to name as essential, and it’s what was responsible for my introduction to James Baldwin’s work.
Her style is simple and direct. It speaks to the reader in a very distinct way. When you read her prose, it’s like Didion is sitting across from you in a sitting room late at night, talking about things that people often find difficult to speak about.
If you haven’t heard of James M. Cain, you’ve most certainly heard of the films based on his work. Cain is a master at creating a feeling of disgusted disillusionment in his many horrible and fractured characters.
Looking at this book as being about a generation as whole is not really the way to get a complete picture of it nor of the statement it makes.
The film was released in 1947, and the book was published in the very same year and it was written by the same man who wrote the story for the film, Valentine Davies.