Her style is simple and direct. It speaks to the reader in a very distinct way. When you read her prose, it’s like Didion is sitting across from you in a sitting room late at night, talking about things that people often find difficult to speak about.
The Other is full of twists and turns and proceeds along at a fast pace — so fast that I could easily read it in the course of a long afternoon and evening.
I often read as much about American politics as I do about the politics about my own country. Though it feels like I’m on the outside looking in when I read books like this, it to some extent feels closer than is comfortable as well.
It’s a fast-paced narrative that critics and readers alike agree has literary merit. The debate comes from the author’s proclamation of being perfectly factual. This is a review of Truman Capote’s In Cold Blood.
Though the novel is complete in terms of narrative, it’s not exactly finished per se. There’s a note in front of my edition that explains that the decision was made to publish the work because reading as much of Camus’ as possible helps readers and scholars understand who Camus was as a writer and his process. This is a review of A Happy Death.
I found noir as a genre relatively late. I’ve always been interested in true crime, but for some reason, my younger self just wasn’t drawn to the black and white grit of classic movies until it was included in our cable package. This is a review of five collected noir novels by David Goodis.