Bandersnatch

Bandersnatch is a scruffy orange tabby with a big, bossy personality. She is loud and demanding and never takes ‘no’ as an answer.

Adopted a year after Jabberwocky, Bandersnatch is the second youngest cat. Despite having been taken from a barn to a very nice shelter, she was a tough little biter. Just what we needed to play with Jabberwocky.

She does get along well with her sisters — especially Wesker.

Bandersnatch is Hargrave’s second little monster. You can usually find her running laps around the house, climbing up the wrong side of the tallest cat tree, balancing on someone’s shoulders, or dead asleep inside a cushy cat bed. She loves attention, and will literally climb you like a tree to get it.

Some other things she likes include margarine, feathers on a string, winning at wrestles, and folding her paws. Because she has such an attitude, Bandersnatch takes a great glamour shot.




Eugene Onegin


Romantic Era

Live-streamed opera is where we first saw Tchaikovsky’s Eugene Onegin, which is based on the Pushkin novel. Even though we weren’t provided with subtitles to the Met’s production from 2007, the imagery and the music were capable of conveying the story in and of themselves. Whenever I see fall leaves in piles on the ground, I’m reminded of the set design. This is a review of Pushkin’s Eugene Onegin.


Horror Stories: Classic Tales from Hoffmann to Hodgson


19th Century 20th Century ---

It might seem strange, and I’m sure it’s not a preference that many people share, but sometimes when I feel my worst — very anxious, very depressed, very not well — and can’t sleep, scary stories are what I turn to. There’s something about ghosts, goblins, vampires, and spooky houses in settings a hundred and fifty years old that draws me out of the racing thoughts my brain gets stuck in. This is a review of Horror Stories.




The Life and Opinions of Tristram Shandy, Gentleman


18th Century

The little details and techniques matter, and can be the difference between a good book and an unforgettable one. This book changed the way I saw font, style, technique, and it showed me the power of humour to be as immortal as literature itself. This is a review of Laurence Sterne’s Tristram Shandy.


The Queen of Spades


Romantic Era

The premise might be an old one, but what Pushkin does with it is worthy of praise. His writing flows with a concise clarity that is poetic in and of itself.

The Queen of Spades is a novella that is not too short and not too long. It’s a perfect short read for an afternoon or an evening, clocking in at approximately 82 pages including the prologue. The clarity of the prose and the flow of it make the reader nearly fly through it and want to finish it in one sitting if at all possible. This is a review of A. S. Pushkin’s The Queen of Spades.