Psycho
Bloch writes a twisting thriller that manages to surprise, even when you’ve watched the film first.
Antiquarian and Classic Book Reviews
Bandersnatch is a scruffy orange tabby with a big, bossy personality. She is loud and demanding and never takes ‘no’ as an answer.
Adopted a year after Jabberwocky, Bandersnatch is the second youngest cat. Despite having been taken from a barn to a very nice shelter, she was a tough little biter. Just what we needed to play with Jabberwocky.
She does get along well with her sisters — especially Wesker.
Bandersnatch is Hargrave’s second little monster. You can usually find her running laps around the house, climbing up the wrong side of the tallest cat tree, balancing on someone’s shoulders, or dead asleep inside a cushy cat bed. She loves attention, and will literally climb you like a tree to get it.
Some other things she likes include margarine, feathers on a string, winning at wrestles, and folding her paws. Because she has such an attitude, Bandersnatch takes a great glamour shot.
Bloch writes a twisting thriller that manages to surprise, even when you’ve watched the film first.
I often read as much about American politics as I do about the politics about my own country. Though it feels like I’m on the outside looking in when I read books like this, it to some extent feels closer than is comfortable as well.
Claire Boltwood is on such a trip across the country — driving herself and her father from Minneapolis to Seattle in a very nice car on some not very nice roads. Lewis describes not just the scenery but also the reality of flat tires, car repairs, getting stuck in mud, and unpleasant hotels.
This book goes beyond a road trip, because what it provides is more of a historical snapshot of what the roads and landscape were like over a half-century ago.
I didn’t plan on not being able to finish this book — but I didn’t finish. So this unreview is part of the journey, a bump on the literary road trip.
Chapters, paragraphs, sentences, and words flow into each other, but at the same time there are images and concepts that stand out and become touchstones for the work as a whole. This is a review of Tove Ditlevsen’s The Copenhagen Trilogy.
A critique of journalism and the complex politics and corruption present in the newspaper industry in Paris at the turn of the last century, this is a review of Guy de Maupassant’s Bel-Ami.
It’s a fast-paced narrative that critics and readers alike agree has literary merit. The debate comes from the author’s proclamation of being perfectly factual. This is a review of Truman Capote’s In Cold Blood.
I had read some of Murdoch’s work previously, but I admit that I wanted this set because the book design was gorgeous from the covers to the selection of typeface and the ratio of text to margins. This is a review of Iris Murdoch’s The Sea, The Sea.
When Greenwood is asked to list her symptoms, she keeps repeating that she can’t read and she can’t sleep. She is studying English for her post-secondary education, and reading as well as words define her life. When she can no longer read, what’s left of her world falls apart, and it drives her to attempt suicide. This is a review of Sylvia Plath’s The Bell Jar.