In Cold Blood
It’s a fast-paced narrative that critics and readers alike agree has literary merit. The debate comes from the author’s proclamation of being perfectly factual. This is a review of Truman Capote’s In Cold Blood.
Antiquarian and Classic Book Reviews
Bandersnatch is a scruffy orange tabby with a big, bossy personality. She is loud and demanding and never takes ‘no’ as an answer.
Adopted a year after Jabberwocky, Bandersnatch is the second youngest cat. Despite having been taken from a barn to a very nice shelter, she was a tough little biter. Just what we needed to play with Jabberwocky.
She does get along well with her sisters — especially Wesker.
Bandersnatch is Hargrave’s second little monster. You can usually find her running laps around the house, climbing up the wrong side of the tallest cat tree, balancing on someone’s shoulders, or dead asleep inside a cushy cat bed. She loves attention, and will literally climb you like a tree to get it.
Some other things she likes include margarine, feathers on a string, winning at wrestles, and folding her paws. Because she has such an attitude, Bandersnatch takes a great glamour shot.
It’s a fast-paced narrative that critics and readers alike agree has literary merit. The debate comes from the author’s proclamation of being perfectly factual. This is a review of Truman Capote’s In Cold Blood.
I had read some of Murdoch’s work previously, but I admit that I wanted this set because the book design was gorgeous from the covers to the selection of typeface and the ratio of text to margins. This is a review of Iris Murdoch’s The Sea, The Sea.
When Greenwood is asked to list her symptoms, she keeps repeating that she can’t read and she can’t sleep. She is studying English for her post-secondary education, and reading as well as words define her life. When she can no longer read, what’s left of her world falls apart, and it drives her to attempt suicide. This is a review of Sylvia Plath’s The Bell Jar.
This is a book that primarily about people and about parties, with descriptions of them that are at once acidic and amusing, and can also be seen as an extensive critique of English society at this moment in history. This is a review of Elias Canetti’s Party in the Blitz (Party im Blitz).
This is narrative about trying to find a place of belonging in the midst of a society that is alienating and cruel and has festered hatred not just between races but amongst families, dividing individuals from each other and parts of themselves. This is a review of Langston Hughes’ Not Without Laughter.
When I was young, I think I can remember my mother having a copy of this book. My lovely spouse also remembers one being somewhere in her childhood home. This is a review of Carol Shields’ The Stone Diaries.
It takes a very good writer to write the ordinary and make it seem exactly that: ordinary. Alice Munro is just such a writer. Her stories aren’t fantastical; instead, they are stories of people that could be your neighbour or one of your parents’ friends. This is a review of The Love of A Good Woman.
Live-streamed opera is where we first saw Tchaikovsky’s Eugene Onegin, which is based on the Pushkin novel. Even though we weren’t provided with subtitles to the Met’s production from 2007, the imagery and the music were capable of conveying the story in and of themselves. Whenever I see fall leaves in piles on the ground, I’m reminded of the set design. This is a review of Pushkin’s Eugene Onegin.
It might seem strange, and I’m sure it’s not a preference that many people share, but sometimes when I feel my worst — very anxious, very depressed, very not well — and can’t sleep, scary stories are what I turn to. There’s something about ghosts, goblins, vampires, and spooky houses in settings a hundred and fifty years old that draws me out of the racing thoughts my brain gets stuck in. This is a review of Horror Stories.
It was my lovely spouse who actually recommended this book. She’s made quite few of Compestine’s recipes and enjoyed them almost as much as I know she enjoyed the stories. This is a review of Ying Chang Compestine’s A Banquet for Hungry Ghosts.