Ethan Frome
Ethan Frome is one of the shortest classics you can read. My Penguin Classics edition clocks in at only ninety-nine pages. However, despite the length it is a powerful and sharp narrative full of symbolism, depth, and atmosphere.
Antiquarian and Classic Book Reviews
Hargrave reads voraciously and diversely — mostly antiquarian and classic books in translation. These are her book reviews.
While she reads more books than she could possibly write about, she does consistently post weekly reviews. New reviews are posted on Mondays.
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Ethan Frome is one of the shortest classics you can read. My Penguin Classics edition clocks in at only ninety-nine pages. However, despite the length it is a powerful and sharp narrative full of symbolism, depth, and atmosphere.
There’s no doubt that when I think of spooky stories, I think of Ray Bradbury. His narratives are referenced time and time again and have influenced countless writers in turn.
One minute you’re reading an extended metaphor about moths, and the next you’re musing about the function of legs along with the narrator before being pleasantly plopped back into the story.
Any anthology usually ends up being a mixed bag in terms of content. There will be things you like and things you don’t. When a famous artist, writer, or illustrator that you admire is asked to select stories for an anthology it can be an extra special experience.
I was first exposed to Nightmare Alley via TCM’s Noir Alley and the 1947 film starring Tyrone Power in one of his few villain roles. I thoroughly enjoyed the film, though it is a lot different from the novel.
Randi writes in a way that is accessible to the un-academic reader but is also like a cosy sweater for readers who have experience in academia and the sciences. Reading this book was a joy and a perfect meeting of my interest in the supernatural and my scholarly pursuits.
There’s a moment in Sunset Boulevard where William Holden’s character Joe Gillis takes Norma Desmond’s (played by Gloria Swanson) script in his hand. That’s what I was reminded of reading these two novellas.
I’ve gleefully noticed that for the last two or three years there’s been an emphasis on the forgotten women writers of weird fiction. It soothes a sore spot in my child-self.
There’s nothing quite comparable to the experience of reading transcripts and re-printings of primary documents. To read a trial transcript from two hundred years ago and hear the echoes of words spoken so long ago by innocent women accused of crimes that are literally impossible to commit is something powerful and weighty.
Molière was a seventeenth-century playwright and I have seen readers approach him with a comparable trepidation to which I’ve seen when high school students approach Shakespeare for the first time.