Goodbye to All That
Graves has the unique perspective of being in the middle and a bridge between the command that used soldiers as canon fodder and didn’t fight, and those that were the fodder and lost their lives so meaninglessly.
Antiquarian and Classic Book Reviews
20th Century works were written between 1900 and 1999.
These books are the ones most current readers will recognized. The modern novel has been fully developed and fiction has been separated into categories and genre. The 20th century is the root of recent history. It includes events such as suffrage, World War I, World War II, the Vietnam War, and the Cold War.
Beginning with the Edwardian Era and the Modernist movement, these years explore experiments with form and structure. Post-War and Interwar fiction is often featured in reviews.
If you’re looking for post-modernism, structuralism, post-structuralism, post-post-modernism, or any very recent movement, you will find those listed under contemporary works.
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Graves has the unique perspective of being in the middle and a bridge between the command that used soldiers as canon fodder and didn’t fight, and those that were the fodder and lost their lives so meaninglessly.
Wharton explores eerie presences and does so with a flare that lingers in the air over your shoulder as you read. Her prose is elegant and languid, drawing the reader in with lush descriptions and then twisting each tale to a disturbing and artful ending.
This drama is a great example of the power of monologue. If you come from a place of studying prose literature, your urge is to cringe when you turn the page in the play and come across a big block of text. But, actually, a monologue is a blessing rather than a curse.
Lorraine Hansberry’s A Raisin in the Sun is a classic and compelling play centering around one poor Black family struggling to get ahead in 1950s Chicago.
What Kushner excels at is creating a sense of endings and of a grief that hangs above each of the characters as they accept illness, accept death, and accept that change is coming whether they want it to or not.
It’s the subtlety that I described above that really makes this book a great selection to the spooky season — especially if you’re looking for something a bit off the beaten path.
The eleven tales contained in this collection of some of Sigizmund Krzhizhanovsky’s stories each contain a pervasive sense of the uncanny and of a narrator that exists out of step with time and space.
I’ll leave it up for you to decide whether the novel lives up to its extensive praise. For my part, despite the book being outside my literary comfort zone, I did see what made it so ground-breaking and so influential. It was worth the read — as long as the graphic violence (including sexual violence) is something that you can tolerate as a reader.
Every essay is a painstakingly, achingly beautiful construction of argument. From word choice to phrasing, he has a way of driving to the point, but also doing so with a biting simplicity.
My summer of reading non-fiction continues with two selections — Lucy Grealy’s Autobiography of a Face, and Ann Patchett’s Truth and Beauty. The two books naturally go together and I’ve decided to review them together here because I feel like they end up completing each other.