Fat City
While Tully’s and Munger’s lives intersect time and again and one or the other often tries to connect, they never quite manage to.
Antiquarian and Classic Book Reviews
20th Century works were written between 1900 and 1999.
These books are the ones most current readers will recognized. The modern novel has been fully developed and fiction has been separated into categories and genre. The 20th century is the root of recent history. It includes events such as suffrage, World War I, World War II, the Vietnam War, and the Cold War.
Beginning with the Edwardian Era and the Modernist movement, these years explore experiments with form and structure. Post-War and Interwar fiction is often featured in reviews.
If you’re looking for post-modernism, structuralism, post-structuralism, post-post-modernism, or any very recent movement, you will find those listed under contemporary works.
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While Tully’s and Munger’s lives intersect time and again and one or the other often tries to connect, they never quite manage to.
The three books are substantial, but not overbearing at 300–375 pages each. Each of them is based on a criminal case and uses that case as roman à clef to explore a snapshot of different aspects of society at the turn of the last century through the lens of real events barely veiled.
Janet is constantly berated about her awkwardness, her lack of interest in what are considered ‘female’ pursuits, and her love of the natural world. She seeks to define herself according to the person she wants to be, instead of the version of herself that others are trying to mold her into.
I hadn’t heard about Rosemary Tonks until lately when I skimmed part of an article about her in The New Yorker. It wasn’t so much her style or subject matter that drew me to her work. It was the fact that she seemed so dead set on destroying it.
She not only describes depression in a way that goes beyond the hallmark of profound sadness — she also discusses the feelings of being overwhelmed and the incapability of focussing on even simple tasks. She discusses the desire to see life in small objects like birds and flowers when one feels so utterly lifeless themselves.
Taylor’s stories usually take place around the home and centre on domestic issues, but I think that classifying her work as ‘domestic drama’ confers a feeling of banality that is quite unfair.
Rattlebone follows Irene Wilson, a young Black girl growing up in a Black neighbourhood in Kansas City during the 1950s. It’s not often I come across a narrative that is very distinctly and unmistakably character-driven, but this one definitely is.
What I admired most about Anderson’s writing was his ability to take a subject that seems so simple — like two children playing the dozens and going fishing — and turn it on its head. He layers meaning on top of meaning on top of meaning until every narrative is rich and strays far from just the subject at hand into a complex tapestry of politics, tension, and the injustices of the world at large.
The Harlem Renaissance is a literary moment that is vital to study but it can be hard to determine where to start. The movement is lush and complex with many different facets that aren’t limited to literature alone.
This novel was an examination of identity as Gart struggles to determine who she is and whether she is at risk of losing whatever grasp she has on herself in the face of Lowndes’ domineering presence.