The Flanders Road
After reading it, I don’t think I’ll be reading much — or any — more of Simon’s work, but at the same time that didn’t render this novel a complete waste of time.
20th Century
20th Century works were written between 1900 and 1999.
These books are the ones most current readers will recognized. The modern novel has been fully developed and fiction has been separated into categories and genre. The 20th century is the root of recent history. It includes events such as suffrage, World War I, World War II, the Vietnam War, and the Cold War.
Beginning with the Edwardian Era and the Modernist movement, these years explore experiments with form and structure. Post-War and Interwar fiction is often featured in reviews.
If you’re looking for post-modernism, structuralism, post-structuralism, post-post-modernism, or any very recent movement, you will find those listed under contemporary works.
You are viewing 20th Century reviews.
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Memoirs
While Lowell is perhaps not exactly a well-known name outside of academic and literary circles, Lowell has a lasting influence on modern poets, writers, and scholarship.
Last Summer in the City
There are certain novels that I consider best seasonally enjoyed and Last Summer in the City is definitely in that category for me.
Who Has Seen the Wind
Who Has Seen the Wind is a boyhood in a space where the farm meets a just-developing urban reality. There’s an extensive cast of characters and a stream of events that flow as steadily and relentlessly as the passage of time, as Mitchell captures the insular nature of village life.
Fat City
While Tully’s and Munger’s lives intersect time and again and one or the other often tries to connect, they never quite manage to.
Millennial Crime Trilogy
The three books are substantial, but not overbearing at 300–375 pages each. Each of them is based on a criminal case and uses that case as roman à clef to explore a snapshot of different aspects of society at the turn of the last century through the lens of real events barely veiled.
O Caledonia
Janet is constantly berated about her awkwardness, her lack of interest in what are considered ‘female’ pursuits, and her love of the natural world. She seeks to define herself according to the person she wants to be, instead of the version of herself that others are trying to mold her into.
The Bloater
I hadn’t heard about Rosemary Tonks until lately when I skimmed part of an article about her in The New Yorker. It wasn’t so much her style or subject matter that drew me to her work. It was the fact that she seemed so dead set on destroying it.
Asylum Piece
She not only describes depression in a way that goes beyond the hallmark of profound sadness — she also discusses the feelings of being overwhelmed and the incapability of focussing on even simple tasks. She discusses the desire to see life in small objects like birds and flowers when one feels so utterly lifeless themselves.
You’ll Enjoy It When You Get There
Taylor’s stories usually take place around the home and centre on domestic issues, but I think that classifying her work as ‘domestic drama’ confers a feeling of banality that is quite unfair.