Women Crime Writers
Even the whitest of picket fences can hide a twisting darkness. And that very pressure could itself serve as one of the most complex themes of noir — that of dreams deferred and decisions made with extreme regret.
Antiquarian and Classic Book Reviews
Bandersnatch is a scruffy orange tabby with a big, bossy personality. She is loud and demanding and never takes ‘no’ as an answer.
Adopted a year after Jabberwocky, Bandersnatch is the second youngest cat. Despite having been taken from a barn to a very nice shelter, she was a tough little biter. Just what we needed to play with Jabberwocky.
She does get along well with her sisters — especially Wesker.
Bandersnatch is Hargrave’s second little monster. You can usually find her running laps around the house, climbing up the wrong side of the tallest cat tree, balancing on someone’s shoulders, or dead asleep inside a cushy cat bed. She loves attention, and will literally climb you like a tree to get it.
Some other things she likes include margarine, feathers on a string, winning at wrestles, and folding her paws. Because she has such an attitude, Bandersnatch takes a great glamour shot.
Even the whitest of picket fences can hide a twisting darkness. And that very pressure could itself serve as one of the most complex themes of noir — that of dreams deferred and decisions made with extreme regret.
For July, I’m going to take a deep dive into American crime noir novels from the 1930s to 1960s, give them a bit of context, and maybe mention a film or two along the way.
This week I’m going to review two McNally selections from earlier this year, both of which are delightful non-fiction reads that I wouldn’t have necessarily chosen off the shelf.
There is nearly literally something for everyone, but at the same time the narrative doesn’t feel busy or chaotic. Instead, Kennedy encapsulates the complexity of mid-century modern life from a vast number of perspectives.
Tell Me How Long the Train’s Been Gone was not well-received when it was published and was compared unfavourably to Baldwin’s earlier work. Now there is a push to go back to it and appreciate it for the excellent book it is.
In essence, the book is about a man named Molteni who is a screenwriter to makes ends meet. Molteni believes that his wife Emilia has ceased to love him and nothing will convince him of the contrary.
A Sunday at the Pool in Kigali focusses on a group of mostly foreign officials and journalists that are residing at a hotel in Kigali and gathering around the pool. They are aware that some kind of catastrophe is coming and lamenting the lack of care that the world has shown when it comes to Africa in general and Rwanda in specific — even though a lot of the conflicts in the country are due to colonialism and its aftermath.
When I saw Tolkien’s Letters from Father Christmas arrive at the local independent bookstore, I leapt at the chance to read something from a writer that my spouse loves while still enjoying the light, fun Christmas-y content.
When I purchased Mark Z Danielewski’s House of Leaves, the clerk at our local independent bookstore clued me in to the presence it has in the horror reading community. And, oh, what a presence it is.
According to Google, a revenge tragedy is: A style of drama, popular in England during the late 16th and 17th centuries, in which the basic plot was a quest for vengeance and which typically featured scenes of carnage and mutilation.