The Flanders Road
After reading it, I don’t think I’ll be reading much — or any — more of Simon’s work, but at the same time that didn’t render this novel a complete waste of time.
Contemporary
The 20th century contains a lot of small movements, categorized by modern history. Some are more prominent than others, and some are very difficult to define. That’s where the contemporary label comes in.
Post-modernism, structuralism, post-structuralism, post-post-modernism, deconstructionism, post-colonialism, hypertexts, and modern genre fiction can all be found here. Books that don’t fall into a broader movement can also be found here, including many topics of interest that are still current for readers.
Contemporary works were written mostly in the last 100 years. These books are usually a bit easier to find on shelf (though not always) in a bookstore.
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Memoirs
While Lowell is perhaps not exactly a well-known name outside of academic and literary circles, Lowell has a lasting influence on modern poets, writers, and scholarship.
Last Summer in the City
There are certain novels that I consider best seasonally enjoyed and Last Summer in the City is definitely in that category for me.
Fat City
While Tully’s and Munger’s lives intersect time and again and one or the other often tries to connect, they never quite manage to.
Millennial Crime Trilogy
The three books are substantial, but not overbearing at 300–375 pages each. Each of them is based on a criminal case and uses that case as roman à clef to explore a snapshot of different aspects of society at the turn of the last century through the lens of real events barely veiled.
O Caledonia
Janet is constantly berated about her awkwardness, her lack of interest in what are considered ‘female’ pursuits, and her love of the natural world. She seeks to define herself according to the person she wants to be, instead of the version of herself that others are trying to mold her into.
The Bloater
I hadn’t heard about Rosemary Tonks until lately when I skimmed part of an article about her in The New Yorker. It wasn’t so much her style or subject matter that drew me to her work. It was the fact that she seemed so dead set on destroying it.
You’ll Enjoy It When You Get There
Taylor’s stories usually take place around the home and centre on domestic issues, but I think that classifying her work as ‘domestic drama’ confers a feeling of banality that is quite unfair.
Rattlebone
Rattlebone follows Irene Wilson, a young Black girl growing up in a Black neighbourhood in Kansas City during the 1950s. It’s not often I come across a narrative that is very distinctly and unmistakably character-driven, but this one definitely is.
Lover Man
What I admired most about Anderson’s writing was his ability to take a subject that seems so simple — like two children playing the dozens and going fishing — and turn it on its head. He layers meaning on top of meaning on top of meaning until every narrative is rich and strays far from just the subject at hand into a complex tapestry of politics, tension, and the injustices of the world at large.