Berg
Quin uses vagaries, the mists of the seaside Brighton, and a circularity of language to construct a perfect circular narrative. So perfect, that it’s a magical experience to get to the ending and read how everything comes together.
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Quin uses vagaries, the mists of the seaside Brighton, and a circularity of language to construct a perfect circular narrative. So perfect, that it’s a magical experience to get to the ending and read how everything comes together.
What drew me to this book initially was the simple fact that my local independent bookstore had it in stock and it was a mystery published in the late 1970s that was dubbed a classic.
It’s a fast-paced narrative that critics and readers alike agree has literary merit. The debate comes from the author’s proclamation of being perfectly factual. This is a review of Truman Capote’s In Cold Blood.
I can go ahead and admit that I have a problem. I collect kitty-cat knickknacks. This is a review of Friedrich Dürrenmatt’s The Judge and His Hangman.