Crime Novels American Noir of the 1950s
Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.
Antiquarian and Classic Book Reviews
20th Century works were written between 1900 and 1999.
These books are the ones most current readers will recognized. The modern novel has been fully developed and fiction has been separated into categories and genre. The 20th century is the root of recent history. It includes events such as suffrage, World War I, World War II, the Vietnam War, and the Cold War.
Beginning with the Edwardian Era and the Modernist movement, these years explore experiments with form and structure. Post-War and Interwar fiction is often featured in reviews.
If you’re looking for post-modernism, structuralism, post-structuralism, post-post-modernism, or any very recent movement, you will find those listed under contemporary works.
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Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.
For July, I’m going to take a deep dive into American crime noir novels from the 1930s to 1960s, give them a bit of context, and maybe mention a film or two along the way.
While The Only Problem thankfully took a lot less time to read than Anna Hastings, I didn’t like it all that much. On the whole, I found it a novel that was just very un-Muriel-Spark.
It actually is a mean-spirited and sexist statement about women in traditionally male roles, positing that when women are working, they are inherently not fulfilling their assigned role in society and apparently everything crumbles around them.
A collection of shorter pieces, and longer prose, all of the writing is connected by Babitz’s love for Southern California’s most famous city and its environs.
This week I’m going to review two McNally selections from earlier this year, both of which are delightful non-fiction reads that I wouldn’t have necessarily chosen off the shelf.
Patricia is not broken by her divorce; instead, she uses it as opportunity to live life on her terms and to determine what it is she wants out of herself and out of a partner. She is a complex character that has a lot to say and also displays a range of emotions that are sometimes contradictory in a very human way.
Short Letter, Long Farewell is heavily influenced by film noir. The plot does not drive forward in a straight line, but the one element that does provide consistent momentum is the narrator’s attempts to escape his ex-wife.
Bao Ninh’s The Sorrow of War and Duong Thu Huong’s Novel Without a Name are both novels about the Vietnam War from the perspective of young men who served in the North Vietnamese Army. They are powerful testaments from a viewpoint that we do no often get in the west — that being the Americans as the invading, colonialist army in Vietnam.
Simenon paints a brutal picture of how violence breeds more violence in an environment riddled with poverty and limited opportunities.