Antiquarian and Classic Book Reviews
20th Century works were written between 1900 and 1999.
These books are the ones most current readers will recognized. The modern novel has been fully developed and fiction has been separated into categories and genre. The 20th century is the root of recent history. It includes events such as suffrage, World War I, World War II, the Vietnam War, and the Cold War.
Beginning with the Edwardian Era and the Modernist movement, these years explore experiments with form and structure. Post-War and Interwar fiction is often featured in reviews.
If you’re looking for post-modernism, structuralism, post-structuralism, post-post-modernism, or any very recent movement, you will find those listed under contemporary works.
You are viewing 20th Century reviews.
You can view all other eras/movements, or you can search by language/region, genre, editor/translator, book authors, or year of edition.
I’ll leave it up for you to decide whether the novel lives up to its extensive praise. For my part, despite the book being outside my literary comfort zone, I did see what made it so ground-breaking and so influential. It was worth the read — as long as the graphic violence (including sexual violence) is something that you can tolerate as a reader.
Every essay is a painstakingly, achingly beautiful construction of argument. From word choice to phrasing, he has a way of driving to the point, but also doing so with a biting simplicity.
My summer of reading non-fiction continues with two selections — Lucy Grealy’s Autobiography of a Face, and Ann Patchett’s Truth and Beauty. The two books naturally go together and I’ve decided to review them together here because I feel like they end up completing each other.
You know just enough about the characters — no more, no less. You are provided with just enough background information. It keeps the story tight and moves things along in ways that longer works often struggle with. Perhaps if you look closely you can see the traces of a formula, but it is applied so skillfully that it doesn’t detract from the enjoyment or impact of the narrative.
In a novel that occurs in single day, it can be ironically difficult to mark time and to create atmosphere. There are often limits to setting to consider, as well as how to convey the sense of hours passing without it seeming chaotic or creating too much stress in the reader experience. Guilloux is a master of atmosphere and space.
Punks. Rebellion. Drugs. Death. Yes, emphatically all those things. More than that, Welsh has constructed a searing novel of what it means to be young, lost, and trying to become an adult in a world that’s on fire due to the HIV epidemic in nineties Scotland and the rampant level of addiction and death.
The feelings of hatred that lie at the novel’s foundation form a complex statement about class and the divisions between the classes.
I think what primarily draws people to Brideshead Revisited novel is its themes of decadence, ignorance, and privilege.
Talk is one of those novels that gives back to the reader according to what the reader puts into it. One can read it on a very surface level, or one can decide to carefully consider the book chapter by chapter and think about what it means in terms of trends of thought and the shifting tides of late 1960s culture.
Vyner decided to write Fraser’s biography via extensive interviews with the people who knew him, including herself and her own memories of him. It’s an interesting mix of individuals and viewpoints because not only does she have statements from his mother and various relatives, the reader also gets to hear from famous musicians, as well as famous artists.
