Confessions of a Mask
As the book continues, the narrator becomes less and less reliable and also less sure of himself and what he is capable of. Desires, thoughts, and feelings pull Kochan apart with a slow intensity.
Antiquarian and Classic Book Reviews
Most old books are written by rich, straight, white men. These books were written by people who were not. Authors from a visible minority and women writing outside of ‘acceptably feminine’ topics can be found here.
As the book continues, the narrator becomes less and less reliable and also less sure of himself and what he is capable of. Desires, thoughts, and feelings pull Kochan apart with a slow intensity.
he plot of Kokoro centers around two characters that are never named. The first two parts of the novel consist of a young student getting to know an older man whom he refers to only as ‘Sensei’.
aeggy’s starkness has an edge almost of brutality. She doesn’t mince words, she doesn’t dance around what she is trying to say. A confidence and absolute assurance resonates in her work that I rarely see in other authors.
here are a lot of great and very notable essays in here — ‘What White Publishers Won’t Print’, ‘How It Feels to Be Colored Me’, and ‘I Saw Negro Votes Peddled’. However, when discussing Hurston’s work, it is only appropriate to note that she is not the easiest author to read.
Ellison’s use of language to create complex tapestries of themes and concepts is hard to put into words, both because his style is so unique and because his skill is so profound.
he doesn’t shy away from what happened to her, but neither does she use it to shock the reader. Instead, she writes of the horror with blunt honesty, and brutality tempered with careful sentence level consideration and a language that is powerful, yet never gratuitous.
We happened across Raoul Peck’s film I Am Not Your Negro one February night while flipping through the channels. TVO was airing it as part of its yearly Black History Month’s selections. It’s a film that I would not hesitate to name as essential, and it’s what was responsible for my introduction to James Baldwin’s work.
Don’t Read This! features scary stories from authors of diverse backgrounds from Zimbabwe to Japan to Spain. The stories strike many different notes as well from very scary to nearly humorous.
To describe Abe’s The Face of Another as a horror novel would only be scratching the surface of what it truly delivers.
What drew me to this book initially was the simple fact that my local independent bookstore had it in stock and it was a mystery published in the late 1970s that was dubbed a classic.