Women of the Harlem Renaissance
The Harlem Renaissance is a literary moment that is vital to study but it can be hard to determine where to start. The movement is lush and complex with many different facets that aren’t limited to literature alone.
Diversity
Most old books are written by rich, straight, white men. These books were written by people who were not. Authors from a visible minority and women writing outside of ‘acceptably feminine’ topics can be found here.
Notes of a Crocodile
Academia provides a concrete backdrop for a constantly shifting narrative in which the narrator is struggling to come to terms with herself and asserting that self in a society that treats her like an aberration because of her sexuality.
The Posthumous Memoirs of Brás Cubas
One minute you’re reading an extended metaphor about moths, and the next you’re musing about the function of legs along with the narrator before being pleasantly plopped back into the story.
Confessions of a Mask
As the book continues, the narrator becomes less and less reliable and also less sure of himself and what he is capable of. Desires, thoughts, and feelings pull Kochan apart with a slow intensity.
Kokoro
he plot of Kokoro centers around two characters that are never named. The first two parts of the novel consist of a young student getting to know an older man whom he refers to only as ‘Sensei’.
Sweet Days of Discipline
aeggy’s starkness has an edge almost of brutality. She doesn’t mince words, she doesn’t dance around what she is trying to say. A confidence and absolute assurance resonates in her work that I rarely see in other authors.
You Don’t Know Us Negroes and Other Essays
here are a lot of great and very notable essays in here — ‘What White Publishers Won’t Print’, ‘How It Feels to Be Colored Me’, and ‘I Saw Negro Votes Peddled’. However, when discussing Hurston’s work, it is only appropriate to note that she is not the easiest author to read.
Juneteenth
Ellison’s use of language to create complex tapestries of themes and concepts is hard to put into words, both because his style is so unique and because his skill is so profound.
I Know Why the Caged Bird Sings
he doesn’t shy away from what happened to her, but neither does she use it to shock the reader. Instead, she writes of the horror with blunt honesty, and brutality tempered with careful sentence level consideration and a language that is powerful, yet never gratuitous.
I Am Not Your Negro and Nothing Personal
We happened across Raoul Peck’s film I Am Not Your Negro one February night while flipping through the channels. TVO was airing it as part of its yearly Black History Month’s selections. It’s a film that I would not hesitate to name as essential, and it’s what was responsible for my introduction to James Baldwin’s work.