All Quiet on the Western Front
All Quiet on the Western Front is given from the perspective of the losing side, which is still rare when it comes to war literature, especially in translation and from this era.
Antiquarian and Classic Book Reviews
Hargrave reads voraciously and diversely — mostly antiquarian and classic books in translation. These are her book reviews.
While she reads more books than she could possibly write about, she does consistently post weekly reviews. New reviews are posted on Mondays.
Looking for one of the books that have been reviewed? Want to find some vintage treasures of your own? Second-hand and used books are unique and eco-friendly, and can be found at your local independent bookseller. If you’re looking for an American bookseller, you can check here. UK booksellers can be found here.
If you’d prefer to buy books online, many vintage and rare editions can be found at ThriftBooks.
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All Quiet on the Western Front is given from the perspective of the losing side, which is still rare when it comes to war literature, especially in translation and from this era.
Graves has the unique perspective of being in the middle and a bridge between the command that used soldiers as canon fodder and didn’t fight, and those that were the fodder and lost their lives so meaninglessly.
What really shines about this collection is the informative introductions to each and every one of the stories.
This book may have been published just last year, but the writer, Robert Wynne-Simmons, is actually the screenwriter for the 1971 British horror film of the same name. So this book is a novelization of a movie that is over fifty years old.
This novel is really an intersection of two goliaths of classic film and classic literature, and therefore I decided to both read it and to review it, despite it being a bit more recent.
Wharton explores eerie presences and does so with a flare that lingers in the air over your shoulder as you read. Her prose is elegant and languid, drawing the reader in with lush descriptions and then twisting each tale to a disturbing and artful ending.
When I purchased Mark Z Danielewski’s House of Leaves, the clerk at our local independent bookstore clued me in to the presence it has in the horror reading community. And, oh, what a presence it is.
This drama is a great example of the power of monologue. If you come from a place of studying prose literature, your urge is to cringe when you turn the page in the play and come across a big block of text. But, actually, a monologue is a blessing rather than a curse.
The action centres around a writer named Katurian who is living in a totalitarian state. He has been brought in for questioning (and torturing) by police who are investigating a series of child murders based on Katurian’s stories.
Lorraine Hansberry’s A Raisin in the Sun is a classic and compelling play centering around one poor Black family struggling to get ahead in 1950s Chicago.