Victorian Murderesses
Hartman asks for serious scholars only, and for the reader to commit to thinking about more than how much blood the scene contained and which gory details are the most disgusting.
Antiquarian and Classic Book Reviews
Crime novels.
Crime is a genre.
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Hartman asks for serious scholars only, and for the reader to commit to thinking about more than how much blood the scene contained and which gory details are the most disgusting.
This isn’t just a book about a crime nor is it a fictionalization of that crime. Millett spends time with victim and perpetrator and with her own reactions to the case.
I read it for the first time when I was far too young for it, all of the way back in 1994. I loved it then, but I didn’t appreciate the nuances of what Berendt was trying to say.
The volumes are compact and beautiful, and look great on the shelf — plus the collections are both thorough and accessible for someone who doesn’t read as much poetry as literature.
Patrick Hamilton’s Rope is a subtle kind of spooky. It’s not a murder-mystery. The murder has happened and it is no mystery who did it.
Dark academia has become a much-talked-about off-shoot of the spookier genres, and I would say that label fits Picnic at Hanging Rock.
Even the whitest of picket fences can hide a twisting darkness. And that very pressure could itself serve as one of the most complex themes of noir — that of dreams deferred and decisions made with extreme regret.
As the 1960s began to fade into the 1970s, noir took a fascinating and complex turn. It wasn’t enough to just be about a crime — now it was about being relevant to the current moment.
Readers begin to ask the question — what happens when your job is crime? What happens when people decide to make money ‘the easy way’?
Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.