Antiquarian and Classic Book Reviews
Most old books are written by men. These books were written by women.
Unlike most short story collections, In Transit is a work that I would recommend considering as a whole. Though the stories were published separately and years apart, they share a very similar theme. All of them are about being lost in time, lost in space, and lost somewhere far from home.
A good non-fiction book is just as complicated to write as a fiction one and includes a mastery of many of the same elements. Writing style, writing technique, tone, and description have to be both well done and exist in an ideal balance. If so, then even a boring subject can be compelling. But, if not, even an enthralling subject can be completely dry and unreadable.
This novel is really an intersection of two goliaths of classic film and classic literature, and therefore I decided to both read it and to review it, despite it being a bit more recent.
Wharton explores eerie presences and does so with a flare that lingers in the air over your shoulder as you read. Her prose is elegant and languid, drawing the reader in with lush descriptions and then twisting each tale to a disturbing and artful ending.
This drama is a great example of the power of monologue. If you come from a place of studying prose literature, your urge is to cringe when you turn the page in the play and come across a big block of text. But, actually, a monologue is a blessing rather than a curse.
Lorraine Hansberry’s A Raisin in the Sun is a classic and compelling play centering around one poor Black family struggling to get ahead in 1950s Chicago.
It’s the subtlety that I described above that really makes this book a great selection to the spooky season — especially if you’re looking for something a bit off the beaten path.
My summer of reading non-fiction continues with two selections — Lucy Grealy’s Autobiography of a Face, and Ann Patchett’s Truth and Beauty. The two books naturally go together and I’ve decided to review them together here because I feel like they end up completing each other.
The feelings of hatred that lie at the novel’s foundation form a complex statement about class and the divisions between the classes.
Talk is one of those novels that gives back to the reader according to what the reader puts into it. One can read it on a very surface level, or one can decide to carefully consider the book chapter by chapter and think about what it means in terms of trends of thought and the shifting tides of late 1960s culture.
