Ghostroots
More powerful than gore, I find an eerie atmosphere is what really makes a collection like Ghostroots tick.
Ghosts
Ghost stories and books prominently featuring spirits of the dead, a favourite category of Hargrave’s.
A Sunny Place for Shady People
Enríquez loves a twist ending, and ghosts and horrors found in unlikely places.
White Nights and A Nervous Breakdown
Both of these volumes are perfect for a night spent inside in the warmth of the fireside. Easy to get lost in, they are easily finished in a sitting and just begging to be turned over in your head or discussed with your favourite bookish friend.
Poems Bewitched and Haunted, Killer Verse, Poems Dead and Undead
The volumes are compact and beautiful, and look great on the shelf — plus the collections are both thorough and accessible for someone who doesn’t read as much poetry as literature.
Murder in the Age of Enlightenment
Though the subjects are varied, what remains is Akutagawa’s beautiful starkness and his precise use of prose. There is the feeling that cutting one word would be impossible, but adding one would be a shame.
Haunted Tales
What really shines about this collection is the informative introductions to each and every one of the stories.
Ghosts
Wharton explores eerie presences and does so with a flare that lingers in the air over your shoulder as you read. Her prose is elegant and languid, drawing the reader in with lush descriptions and then twisting each tale to a disturbing and artful ending.
The October Country
There’s no doubt that when I think of spooky stories, I think of Ray Bradbury. His narratives are referenced time and time again and have influenced countless writers in turn.
The Haunted Looking Glass
Any anthology usually ends up being a mixed bag in terms of content. There will be things you like and things you don’t. When a famous artist, writer, or illustrator that you admire is asked to select stories for an anthology it can be an extra special experience.
The Outcast and the Rite
I’ve gleefully noticed that for the last two or three years there’s been an emphasis on the forgotten women writers of weird fiction. It soothes a sore spot in my child-self.