Caliban Shrieks
Caliban Shrieks has been described as somewhere between an autobiographical novel and a rant, and you know what? I actually agree with this statement.
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Siblings
Elisabeth is supposedly fully invested in the GDR and stubbornly sees it as the way to some kind of utopian realization of equality for all. However, her doubts have started to creep in.
The Fire Within
He has been institutionalized and addicted to drugs for quite some time, and he feels that he is on the verge of losing his looks and his status as he continues to fail to meet expectations.
Murder in the Age of Enlightenment
Though the subjects are varied, what remains is Akutagawa’s beautiful starkness and his precise use of prose. There is the feeling that cutting one word would be impossible, but adding one would be a shame.
Rope
Patrick Hamilton’s Rope is a subtle kind of spooky. It’s not a murder-mystery. The murder has happened and it is no mystery who did it.
Termush
Termush centres around a seaside resort that after an unnamed disaster (but all signs seem to point to a nuclear war followed by a plague or a plague followed by nuclear war), which now houses those individuals that could pay for shelter and medical care.
The Only Problem
While The Only Problem thankfully took a lot less time to read than Anna Hastings, I didn’t like it all that much. On the whole, I found it a novel that was just very un-Muriel-Spark.
Anna Hastings
It actually is a mean-spirited and sexist statement about women in traditionally male roles, positing that when women are working, they are inherently not fulfilling their assigned role in society and apparently everything crumbles around them.
Ex-Wife
Patricia is not broken by her divorce; instead, she uses it as opportunity to live life on her terms and to determine what it is she wants out of herself and out of a partner. She is a complex character that has a lot to say and also displays a range of emotions that are sometimes contradictory in a very human way.
Short Letter, Long Farewell
Short Letter, Long Farewell is heavily influenced by film noir. The plot does not drive forward in a straight line, but the one element that does provide consistent momentum is the narrator’s attempts to escape his ex-wife.