Antiquarian and Classic Book Reviews
Works written in the year 2000 or later.
You are viewing 21st Century reviews.
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A Sunday at the Pool in Kigali focusses on a group of mostly foreign officials and journalists that are residing at a hotel in Kigali and gathering around the pool. They are aware that some kind of catastrophe is coming and lamenting the lack of care that the world has shown when it comes to Africa in general and Rwanda in specific — even though a lot of the conflicts in the country are due to colonialism and its aftermath.
A good non-fiction book is just as complicated to write as a fiction one and includes a mastery of many of the same elements. Writing style, writing technique, tone, and description have to be both well done and exist in an ideal balance. If so, then even a boring subject can be compelling. But, if not, even an enthralling subject can be completely dry and unreadable.
This book may have been published just last year, but the writer, Robert Wynne-Simmons, is actually the screenwriter for the 1971 British horror film of the same name. So this book is a novelization of a movie that is over fifty years old.
This novel is really an intersection of two goliaths of classic film and classic literature, and therefore I decided to both read it and to review it, despite it being a bit more recent.
When I purchased Mark Z Danielewski’s House of Leaves, the clerk at our local independent bookstore clued me in to the presence it has in the horror reading community. And, oh, what a presence it is.
The action centres around a writer named Katurian who is living in a totalitarian state. He has been brought in for questioning (and torturing) by police who are investigating a series of child murders based on Katurian’s stories.
Nakayama Masaaki’s PTSD Radio is a horror series that has some very creepy writing combined with some fantastically creepy artwork.
Usually, I would consider White Out too new to review here, but I made an exception because it has that certain something more that makes a book timeless. It looks at a subject in a way that is entirely unique and entirely new.
My summer of reading non-fiction continues with two selections — Lucy Grealy’s Autobiography of a Face, and Ann Patchett’s Truth and Beauty. The two books naturally go together and I’ve decided to review them together here because I feel like they end up completing each other.
The three books are substantial, but not overbearing at 300–375 pages each. Each of them is based on a criminal case and uses that case as roman à clef to explore a snapshot of different aspects of society at the turn of the last century through the lens of real events barely veiled.
