Antiquarian and Classic Book Reviews
Rusalka is a kitten!
This little ball of tortitude is the newest addition to our family. We’re still getting to know her, but we do know that she’s very talkative and doesn’t like to be alone. She was adopted at ten weeks old in September 2020 and is the youngest cat in our household.
Rusalka is a tortoiseshell kitten, with beautifully brindled fur.
You know just enough about the characters — no more, no less. You are provided with just enough background information. It keeps the story tight and moves things along in ways that longer works often struggle with. Perhaps if you look closely you can see the traces of a formula, but it is applied so skillfully that it doesn’t detract from the enjoyment or impact of the narrative.
In a novel that occurs in single day, it can be ironically difficult to mark time and to create atmosphere. There are often limits to setting to consider, as well as how to convey the sense of hours passing without it seeming chaotic or creating too much stress in the reader experience. Guilloux is a master of atmosphere and space.
I think what primarily draws people to Brideshead Revisited novel is its themes of decadence, ignorance, and privilege.
Talk is one of those novels that gives back to the reader according to what the reader puts into it. One can read it on a very surface level, or one can decide to carefully consider the book chapter by chapter and think about what it means in terms of trends of thought and the shifting tides of late 1960s culture.
Vyner decided to write Fraser’s biography via extensive interviews with the people who knew him, including herself and her own memories of him. It’s an interesting mix of individuals and viewpoints because not only does she have statements from his mother and various relatives, the reader also gets to hear from famous musicians, as well as famous artists.
While Lowell is perhaps not exactly a well-known name outside of academic and literary circles, Lowell has a lasting influence on modern poets, writers, and scholarship.
Who Has Seen the Wind is a boyhood in a space where the farm meets a just-developing urban reality. There’s an extensive cast of characters and a stream of events that flow as steadily and relentlessly as the passage of time, as Mitchell captures the insular nature of village life.
The three books are substantial, but not overbearing at 300–375 pages each. Each of them is based on a criminal case and uses that case as roman à clef to explore a snapshot of different aspects of society at the turn of the last century through the lens of real events barely veiled.
Janet is constantly berated about her awkwardness, her lack of interest in what are considered ‘female’ pursuits, and her love of the natural world. She seeks to define herself according to the person she wants to be, instead of the version of herself that others are trying to mold her into.
I hadn’t heard about Rosemary Tonks until lately when I skimmed part of an article about her in The New Yorker. It wasn’t so much her style or subject matter that drew me to her work. It was the fact that she seemed so dead set on destroying it.
