In God We Trust: All Others Pay Cash
There’s a lot that Clark has added to these stories (and taken out of them) in order to arrive at the masterpiece of film he has produced. He’s done a lot with the original material.
Antiquarian and Classic Book Reviews
Wesker is a fluffy, long-haired black cat with yellow eyes. Aloof and rare, she does not particularly like snuggles — though she is getting soft in her old age. She’s the oldest of the cats, and easily the most mature.
Wesker has always been independent. Hargrave’s first child, she’s the least spoiled cat of the bunch. She’s a black cat but she’s never brought anything but good luck to this house.
If you can throw a string, Wesker will chase it. The highest honour she can bestow is to climb on the sofa or the counter and groom your hair. And, if you’re really lucky, sometimes she’ll bring you a toy.
But only after she’s let you know that she’s bringing it by meowing loudly from a distant room.
There’s a lot that Clark has added to these stories (and taken out of them) in order to arrive at the masterpiece of film he has produced. He’s done a lot with the original material.
It starts with a tone that is mundane but bitingly humorous as Bouillier tries to convince himself that he has let go of the mystery of the end of the relationship with the caller. He does a poor job of it.
Of all of the forms of memoir that I read, I feel particularly drawn towards the diary. There’s something about reading the immediate thoughts of the writer as they live through and work through the moment.
Caliban Shrieks has been described as somewhere between an autobiographical novel and a rant, and you know what? I actually agree with this statement.
Van Dyke seeks to explore racism as it exists in obvious, vocally expressed prejudice but also how it can be insidiously lurking below the surface of even some acts of seeming kindness. This writer excels at character study and exploration of human relationships, which definitely keeps you turning pages at an astounding rate.
The original Aztec word relates to five ‘worthless’ days at the end of the yearly cycle. Children born during these days were thought not to amount to much and be doomed to poverty and ill luck; these children were referred to as ‘nenoquich’.
The action centres around a writer named Katurian who is living in a totalitarian state. He has been brought in for questioning (and torturing) by police who are investigating a series of child murders based on Katurian’s stories.
I honestly thought that the book would be more about Termeer’s marriage to Anna, the daughter of his financial guardian. But I think the real meat of the narrative has to do with Termeer speaking to the reader about who he is and what factors in his life formed him (in his own opinion).
Taylor’s stories usually take place around the home and centre on domestic issues, but I think that classifying her work as ‘domestic drama’ confers a feeling of banality that is quite unfair.
Academia provides a concrete backdrop for a constantly shifting narrative in which the narrator is struggling to come to terms with herself and asserting that self in a society that treats her like an aberration because of her sexuality.