Voices of the Fallen Heroes
When you read these stories, it’s easy to start looking for threads of his eventual fate or at least the mental state that led to it. Are they there? Yes, but they are subtle.
S. Hargrave
S. Hargrave is a Canadian writer and the book reviewer at Old Paper & Cats. Hargrave has a love of rare, antiquarian, and classic literature, works in translation, and cats.
Written on Water
These essays are talks over coffee and catching up after a long week. They are close friends talking about the issues that matter to them and the parts of the past still stuck to the hem of their clothes.
Hollywood Babylon
here’s one thing you have to remember if you decide to take this trip into the past of Hollywood mayhem. Most of the stories here? Not true. As in: ludicrously not true.
I Am Not Ashamed
If you don’t know who Barbara Payton was, you are forgiven. I was actually introduced to her and her book through Eddie Muller’s Noir Alley on TCM, and a screening of Kiss Tomorrow Goodbye, a 1950 James Cagney film.
Adventures in the Screen Trade
I came to William Goldman’s Adventures in the Screen Trade via last week’s book, Julie Salamon’s The Devil’s Candy. It was actually mentioned in the puffery on the back of that essential book as being another essential book.
The Devil’s Candy
Salamon is exhaustive in her recounting of the movie-making process, from casting all the way to the final agonizing returns. I learned a lot about what it takes to produce a film, and the processes of people far removed from the actors and the cameras.
Dorothy Parker in Hollywood
I came late to the work of Dorothy Parker and I came to it in a piecemeal way that I think many modern readers come to it. Honestly, I knew more about the saga of Parker’s mortal remains being stored in a filing cabinet for decades than I did about her.
The Lover
While the book is called The Lover, I would argue that it’s not much about the lover at all.
Victorian Murderesses
Hartman asks for serious scholars only, and for the reader to commit to thinking about more than how much blood the scene contained and which gory details are the most disgusting.
The Basement
This isn’t just a book about a crime nor is it a fictionalization of that crime. Millett spends time with victim and perpetrator and with her own reactions to the case.