Women Crime Writers
Even the whitest of picket fences can hide a twisting darkness. And that very pressure could itself serve as one of the most complex themes of noir — that of dreams deferred and decisions made with extreme regret.
Antiquarian and Classic Book Reviews
Hargrave reads voraciously and diversely — mostly antiquarian and classic books in translation. These are her book reviews.
While she reads more books than she could possibly write about, she does consistently post weekly reviews. New reviews are posted on Mondays.
Looking for one of the books that have been reviewed? Want to find some vintage treasures of your own? Second-hand and used books are unique and eco-friendly, and can be found at your local independent bookseller. If you’re looking for an American bookseller, you can check here. UK booksellers can be found here.
If you’d prefer to buy books online, many vintage and rare editions can be found at ThriftBooks.
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Even the whitest of picket fences can hide a twisting darkness. And that very pressure could itself serve as one of the most complex themes of noir — that of dreams deferred and decisions made with extreme regret.
As the 1960s began to fade into the 1970s, noir took a fascinating and complex turn. It wasn’t enough to just be about a crime — now it was about being relevant to the current moment.
Readers begin to ask the question — what happens when your job is crime? What happens when people decide to make money ‘the easy way’?
Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.
For July, I’m going to take a deep dive into American crime noir novels from the 1930s to 1960s, give them a bit of context, and maybe mention a film or two along the way.
While The Only Problem thankfully took a lot less time to read than Anna Hastings, I didn’t like it all that much. On the whole, I found it a novel that was just very un-Muriel-Spark.
It actually is a mean-spirited and sexist statement about women in traditionally male roles, positing that when women are working, they are inherently not fulfilling their assigned role in society and apparently everything crumbles around them.
A collection of shorter pieces, and longer prose, all of the writing is connected by Babitz’s love for Southern California’s most famous city and its environs.
I won’t spoil it for those of you who don’t know Byron’s reputation or just what shocking and scandalous shenanigans he got up to, but it was enough that his literary contemporaries were all talking about it.
This week I’m going to review two McNally selections from earlier this year, both of which are delightful non-fiction reads that I wouldn’t have necessarily chosen off the shelf.