Notes of a Native Son
Every essay is a painstakingly, achingly beautiful construction of argument. From word choice to phrasing, he has a way of driving to the point, but also doing so with a biting simplicity.
American
Books written by American authors. Usually written in English.
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White Out
Usually, I would consider White Out too new to review here, but I made an exception because it has that certain something more that makes a book timeless. It looks at a subject in a way that is entirely unique and entirely new.
Autobiography of a Face / Truth and Beauty
My summer of reading non-fiction continues with two selections — Lucy Grealy’s Autobiography of a Face, and Ann Patchett’s Truth and Beauty. The two books naturally go together and I’ve decided to review them together here because I feel like they end up completing each other.
Talk
Talk is one of those novels that gives back to the reader according to what the reader puts into it. One can read it on a very surface level, or one can decide to carefully consider the book chapter by chapter and think about what it means in terms of trends of thought and the shifting tides of late 1960s culture.
Memoirs
While Lowell is perhaps not exactly a well-known name outside of academic and literary circles, Lowell has a lasting influence on modern poets, writers, and scholarship.
Fat City
While Tully’s and Munger’s lives intersect time and again and one or the other often tries to connect, they never quite manage to.
Millennial Crime Trilogy
The three books are substantial, but not overbearing at 300–375 pages each. Each of them is based on a criminal case and uses that case as roman à clef to explore a snapshot of different aspects of society at the turn of the last century through the lens of real events barely veiled.
Rattlebone
Rattlebone follows Irene Wilson, a young Black girl growing up in a Black neighbourhood in Kansas City during the 1950s. It’s not often I come across a narrative that is very distinctly and unmistakably character-driven, but this one definitely is.
Lover Man
What I admired most about Anderson’s writing was his ability to take a subject that seems so simple — like two children playing the dozens and going fishing — and turn it on its head. He layers meaning on top of meaning on top of meaning until every narrative is rich and strays far from just the subject at hand into a complex tapestry of politics, tension, and the injustices of the world at large.
Ain’t I a Woman?
A modern reader will perhaps be struck by the religious bent of her speeches and arguments that hinge on some outdated ideas, but it’s important to realize that Truth was an essential starting point for the fight for equality for women and for suffrage. She was the beginning of the evolution of what that fight became and how it continued.