Written on Water
These essays are talks over coffee and catching up after a long week. They are close friends talking about the issues that matter to them and the parts of the past still stuck to the hem of their clothes.
Antiquarian and Classic Book Reviews
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These essays are talks over coffee and catching up after a long week. They are close friends talking about the issues that matter to them and the parts of the past still stuck to the hem of their clothes.
If you don’t know who Barbara Payton was, you are forgiven. I was actually introduced to her and her book through Eddie Muller’s Noir Alley on TCM, and a screening of Kiss Tomorrow Goodbye, a 1950 James Cagney film.
I came to William Goldman’s Adventures in the Screen Trade via last week’s book, Julie Salamon’s The Devil’s Candy. It was actually mentioned in the puffery on the back of that essential book as being another essential book.
Salamon is exhaustive in her recounting of the movie-making process, from casting all the way to the final agonizing returns. I learned a lot about what it takes to produce a film, and the processes of people far removed from the actors and the cameras.
While the book is called The Lover, I would argue that it’s not much about the lover at all.
It’s really a story of two fathers, since it was her uncle that became her father when Danticat was left behind by her parents as they established themselves in America.
Don’t let the size of The Price of the Ticket discourage you. It was a collected volume that was worth the time and the effort and did not break my normally quick reading flow.
Partly prose and partly poetry, in Blue Jarman explores what it means to be in a body that is failing with mind that is still full of life and wonder.
A New Tradition Maybe? This year the holiday season proved strangely elusive, and then, when it finally felt like it arrived, it was fraught with problems. Wesker had a bad weigh in. First, my lovely spouse was sick, then I fell ill and am still not well two weeks later. There were so many blizzards. […]
There’s a lot that Clark has added to these stories (and taken out of them) in order to arrive at the masterpiece of film he has produced. He’s done a lot with the original material.