Slouching Towards Bethlehem and Play It As It Lays
I’ve decided to review two of Didion’s works (partially because they have been waiting in my to-review stacks for a while, and partially because this is post #222).
1968
The year of 1968 CE.
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Tell Me How Long the Train’s Been Gone
Tell Me How Long the Train’s Been Gone was not well-received when it was published and was compared unfavourably to Baldwin’s earlier work. Now there is a push to go back to it and appreciate it for the excellent book it is.
Talk
Talk is one of those novels that gives back to the reader according to what the reader puts into it. One can read it on a very surface level, or one can decide to carefully consider the book chapter by chapter and think about what it means in terms of trends of thought and the shifting tides of late 1960s culture.
The Bloater
I hadn’t heard about Rosemary Tonks until lately when I skimmed part of an article about her in The New Yorker. It wasn’t so much her style or subject matter that drew me to her work. It was the fact that she seemed so dead set on destroying it.
Cancer Ward
I’ll always remember the hospital and the hospital basement as one of the settings of my childhood. I spent a lot of time there and listening to my mother’s stories of what it’s like to work in healthcare. This is a review of Aleksandr Solzhenitsyn’s Cancer Ward.