Paris Vagabond
Clébert doesn’t shy away from any part of his experiences, no matter how ugly, but he also paints a portrait of community and belonging among those that traditionally do not belong.
Antiquarian and Classic Book Reviews
The year of 1952 CE.
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Clébert doesn’t shy away from any part of his experiences, no matter how ugly, but he also paints a portrait of community and belonging among those that traditionally do not belong.
Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.