Murder in the Age of Enlightenment
Though the subjects are varied, what remains is Akutagawa’s beautiful starkness and his precise use of prose. There is the feeling that cutting one word would be impossible, but adding one would be a shame.
Antiquarian and Classic Book Reviews
Though the subjects are varied, what remains is Akutagawa’s beautiful starkness and his precise use of prose. There is the feeling that cutting one word would be impossible, but adding one would be a shame.
Patrick Hamilton’s Rope is a subtle kind of spooky. It’s not a murder-mystery. The murder has happened and it is no mystery who did it.
Termush centres around a seaside resort that after an unnamed disaster (but all signs seem to point to a nuclear war followed by a plague or a plague followed by nuclear war), which now houses those individuals that could pay for shelter and medical care.
Dark academia has become a much-talked-about off-shoot of the spookier genres, and I would say that label fits Picnic at Hanging Rock.
Even the whitest of picket fences can hide a twisting darkness. And that very pressure could itself serve as one of the most complex themes of noir — that of dreams deferred and decisions made with extreme regret.
As the 1960s began to fade into the 1970s, noir took a fascinating and complex turn. It wasn’t enough to just be about a crime — now it was about being relevant to the current moment.
Readers begin to ask the question — what happens when your job is crime? What happens when people decide to make money ‘the easy way’?
Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.
For July, I’m going to take a deep dive into American crime noir novels from the 1930s to 1960s, give them a bit of context, and maybe mention a film or two along the way.
While The Only Problem thankfully took a lot less time to read than Anna Hastings, I didn’t like it all that much. On the whole, I found it a novel that was just very un-Muriel-Spark.